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Series editors' preface - Wood Tools

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628 Conservation of Furniture<br />

secondary intermolecular bonds are broken.<br />

As the solvent evaporates, these secondary<br />

bonds reform within the varnish and between<br />

the varnish and substrate. It may take up to<br />

six months before the re-establishment of<br />

secondary bonds is complete (Feller, Stolow<br />

and Jones, 1985). It should be noted that many<br />

transparent coatings on furniture were<br />

polished after their application in order to<br />

produce a high gloss finish and that treatment<br />

with solvent may not reproduce the original<br />

appearance. Further, swelling a natural resin<br />

coating by the infusion of solvent may affect<br />

its performance as a coating. Although such a<br />

treatment may resaturate the finish it will not<br />

reverse degradation associated with oxidation.<br />

A traditional method of rejuvenating a<br />

resinous coating that is in poor condition is to<br />

apply solvent using a French polishing rubber<br />

or pad. This technique aims to redistribute<br />

partially solvated varnish on the surface and is<br />

sometimes referred to as ‘amalgamation’.<br />

Although such a treatment is not reversible, it<br />

may be preferable to wholesale removal of a<br />

very degraded original varnish.<br />

13.7 Application of coatings to<br />

varnished wood<br />

A furniture conservator may apply a new<br />

coating to varnished wood in order to<br />

preserve the original coating (e.g. if it is friable<br />

or vulnerable to damage) or for aesthetic<br />

reasons (e.g. to resaturate a degraded surface).<br />

In some cases the conservator may be asked<br />

to apply a coating in order to better imitate<br />

the original appearance of the object. In all<br />

cases the treatment chosen should be compatible<br />

with the preservation of original varnish<br />

or colouring materials. The solubility region of<br />

the new coating should be sufficiently different<br />

from the original to allow future safe<br />

removal. The restoration practice of stripping<br />

and repolishing will reduce the historical value<br />

of an object and can reduce the monetary<br />

value of furniture by up to 80%.<br />

When choosing a material for coating a<br />

varnished wood surface, the furniture conservator<br />

should consider issues of stability,<br />

aesthetics and the time, skill and resources<br />

available for the treatment. Historical and<br />

physical integrity should be considered and<br />

this may mean assessing the original layer<br />

thickness, degree of gloss, original application<br />

technique and the use of colourants in the<br />

original coating.<br />

Natural resins were historically used as the<br />

basis for many transparent varnishes on wood.<br />

All natural resins are prone to photochemical<br />

degradation, and shellac in particular is known<br />

for discolouring comparatively rapidly. Shellac<br />

has often been used in the past because of its<br />

excellent adhesive properties, colour and<br />

refractive index. It is available in a range of<br />

colours, such as button or garnet, which may<br />

approximate the colour of an original finish<br />

more closely than a transparent varnish. The<br />

hard-wearing resins associated with furniture<br />

varnishes, sandarac, and shellac, require polar<br />

solvents for removal. Whilst this is not<br />

problematic if they are applied to unfinished<br />

wood, it has serious implications if remnants<br />

of an original surface finish survive. It is<br />

questionable whether the use of natural resins<br />

to replicate an original finish can be successful,<br />

given that, with a few notable exceptions,<br />

the exact formulation of an original varnish is<br />

unknown. The main advantages of sandarac<br />

and shellac varnishes are that they are hardwearing<br />

and produce an appearance that satisfies<br />

the currently accepted aesthetic for<br />

varnished wood.<br />

It is essential to avoid a dogmatic approach<br />

to the use of traditional or conservation grade<br />

materials. In many cases a compromise<br />

solution may be possible, for example by<br />

using a barrier layer of stabilized varnish<br />

soluble in non-polar solvents, followed by a<br />

natural resin varnish if this is deemed suitable<br />

or essential. This approach may allow an<br />

ethical conservation treatment that combines<br />

future reversibility/retreatability with practical<br />

considerations of durability. It may be necessary<br />

to degrease or dewax a surface with<br />

white spirit or an aromatic hydrocarbon before<br />

a new coating is applied.<br />

13.7.1 Non-traditional materials<br />

Synthetic resins that may be suitable for<br />

coating a varnished surface include Paraloid<br />

B72 or stabilized low molecular weight resins<br />

such as dammar, MS2A, Regalrez 1094 or<br />

Laropal A81. These materials are discussed in<br />

section 12.4.7. The primary advantage of such

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