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Series editors' preface - Wood Tools

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that influences the choice of gelatin for a given<br />

application is Bloom strength, sometimes called<br />

gram weight strength (see section 4.7.4), which<br />

correlates with molecular weight. The higher<br />

the Bloom strength the faster the glue will gel,<br />

the better its adhesive properties and the more<br />

flexible the dried adhesive. Thus if consolidating<br />

a powdery ground, a lower molecular<br />

weight gelatin will penetrate more effectively<br />

and, because low Bloom strength glues gel<br />

more slowly, there is more time for the gelatin<br />

to penetrate before it becomes an immobile gel.<br />

If adhering flakes, however, slow gelling may<br />

be undesirable and a higher Bloom strength<br />

may be more appropriate.<br />

Gelatin used in conservation should be<br />

highly purified and can be obtained from suppliers<br />

such as Sigma or Fisher in a variety of<br />

Bloom or gram weight strengths. The longevity<br />

of gelatin, and thus consolidation treatments<br />

that utilize it, is dependent on good environmental<br />

conditions. Gelatin may last for several<br />

hundred years in an environment with minimal<br />

exposure to light and a moderate, stable RH<br />

and temperature. Excessively high, low or fluctuating<br />

RH and temperature, and exposure to<br />

high light levels and UV will result in rapid<br />

degradation (Hansen et al., 1996).<br />

Isinglass is a traditional consolidant for<br />

painted surfaces and is utilized in both easel<br />

paintings and polychrome sculpture conservation.<br />

As with other glues derived from fish, isinglass<br />

has a different amino acid composition<br />

than mammalian collagen, and as a result does<br />

not gel at room temperature. Isinglass and other<br />

fish glues do not, therefore, have a Bloom<br />

strength. The chain length of the collagen,<br />

however, can be comparable to the best-quality<br />

mammalian animal glues, and isinglass can<br />

therefore be very strong. The viscosity of isinglass<br />

and other fish glues is not as closely<br />

related to chain length as is the case for mammalian<br />

derived glues. The best isinglass was traditionally<br />

derived from the swim bladder of the<br />

Russian sturgeon fish (Acipenser stallatus and<br />

A. güldenstädtii). Sturgeon glue has more tack<br />

and less is needed to achieve a given viscosity<br />

in comparison to many commonly available<br />

types of isinglass.<br />

Refined isinglass can be purchased through<br />

suppliers of artists’ materials (e.g. in Europe,<br />

Kremer Pigmente www.kremer-pigmente.de).<br />

Isinglass may be prepared in the following way.<br />

Principles of consolidation, aesthetic reintegration and coatings 569<br />

Four grams of isinglass are soaked overnight in<br />

deionized water. The water is then drained and<br />

discarded. Eighty millilitres of fresh deionized<br />

water is added to the isinglass, which is then<br />

warmed (temperature not exceeding 55 °C), in<br />

a double boiler for about an hour. It is then<br />

strained through a double layer of fine silk or<br />

nylon. If the isinglass has been prepared from<br />

the dried bladder itself, the conservator may<br />

wish to skim the detritus from the surface<br />

before straining the mixture. When warmed,<br />

the strained isinglass solution (c.5% w/v) is<br />

ready to be used as a consolidant. Isinglass prepared<br />

in this way can be brushed out onto<br />

Melinex for later use. Once dry, the isinglass<br />

can be broken up and stored. This thin prepared<br />

isinglass will dissolve rapidly in warm<br />

water and can be used to make up ‘instant’ isinglass<br />

as required. Honey is added to the isinglass<br />

as a plasticizer in some traditional recipes<br />

but will produce a mix with a yellow-brown<br />

colour (Petukhova and Bonadies, 1993). Long<br />

periods of heating will denature collagen, so it<br />

is better to pour off a small amount to use<br />

rather than repeatedly heating a large quantity.<br />

A few drops of alcohol may be added to collagen<br />

mixtures to reduce surface tension or a surface<br />

may be pre-wet with ethanol to increase<br />

penetration.<br />

Rabbit skin glue, when used as a consolidant<br />

for gilding, should always be weaker than that<br />

used for preparation of gesso. A proportion of<br />

one part rabbit skin glue to fifteen parts water<br />

usually provides a reasonable margin of safety.<br />

Traditionally rabbit skin glue is prepared the<br />

day before use, allowed to gel overnight and<br />

the strength of the gel then assessed (see section<br />

14.2.4). The grains are dissolved in warm<br />

water, heated (c.55 °C) in a double boiler until<br />

dissolved, then strained to remove any gritty<br />

particles.<br />

Collagen glues are an option where a waterbased<br />

consolidant is safe for the object. They<br />

can be applied drop-wise from a brush to an<br />

affected area. Surface tension may be reduced<br />

by pre-wetting with, or adding a drop of,<br />

ethanol. Moderate heat (such that a heated<br />

spatula can be held without discomfort in the<br />

hand) can help to keep collagen glue warm as<br />

it infuses into the decorative surface. The spatula<br />

should be isolated from the surface by protective<br />

tissue, blotting paper or Melinex/Mylar.<br />

Gelatin and isinglass are compatible with many

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