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Series editors' preface - Wood Tools

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10 Conservation of Furniture<br />

often with the frame separate from the end<br />

posts.<br />

Storage became more important and the idea<br />

of a cupboard made the transition from ‘a cupboard<br />

with things on, to one with things in’.<br />

The raising of a chest on tall legs gave the first<br />

sideboard or table, and the planked hutch<br />

gradually developed into the court cupboard<br />

and buffet. Nevertheless, chests remained the<br />

most important storage devices and were available<br />

in a wide variety of forms, shapes and<br />

sizes.<br />

France developed two items that deserve<br />

mention: the ‘lit de repos’ or daybed, lavishly<br />

decorated with drapes and materials, and the<br />

‘caquetoire’ chair with its trapezoidal seat and<br />

narrow carved back, which was invariably<br />

decorated with carved or pierced back panels.<br />

Design and construction<br />

During the early part of the sixteenth century,<br />

tenon-jointed frames, pegs and dowels were<br />

used to make the panelled construction that<br />

was in general use. This had been introduced<br />

from Flanders in the fifteenth century. The<br />

frame and panelling technique could be either<br />

left open for chairs, stools or tables, or<br />

enclosed with the panels for wall covering,<br />

boxes, chests and settles. During the sixteenth<br />

century the development of the true constructional<br />

mitre allowed the mouldings to be precut<br />

on the stiles and posts before assembly<br />

rather than being cut like masons’ mouldings<br />

over the true joint. Thus the basic techniques<br />

of making were established and would serve<br />

the joiner well, until the advent of the cabinetmaker<br />

in the later seventeenth century.<br />

Figure 1.5 Diagram of a drawleaf<br />

table, shown fully extended<br />

and with the centre panel<br />

removed. This design was<br />

introduced into England around<br />

1600 by European craftsmen and<br />

is often associated with the<br />

drawings of Hans Vredeman de<br />

Vries (1527–c.1604)<br />

Turning created some of the more elaborate<br />

chair forms during the sixteenth and early seventeenth<br />

century (Figure 1.6). The description<br />

‘turned all over’ gives an indication of the<br />

design. These chairs, the work of turners, were<br />

different from traditional chair construction in<br />

that their joints were usually dowelled and<br />

pegged rather than mortised and tenoned.<br />

Figure 1.6 Turned or ‘thrown’ chair with triangular<br />

seat, early seventeenth century

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