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Series editors' preface - Wood Tools

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panying fungal attack. Animal fibres, mainly<br />

wool and silk, provide foodstuffs for several<br />

varieties of insects. The optimum RH for<br />

clothes moths is 65–75% and for the brown<br />

house moth about 90%, though even very low<br />

levels of humidity may not deter them<br />

completely. Some paint media, particularly<br />

water colour used on ivory or vellum, may<br />

contain a proportion of honey or glycerine<br />

which can make them very sticky in damp<br />

conditions. This provides food for microorganisms<br />

and may cause the paint layer to<br />

adhere to adjacent surfaces. The sapwood of<br />

many timbers is also a good source of nutrients<br />

for micro-organisms and fungi and may<br />

also be attacked preferentially by several<br />

wood-boring insects including powder post<br />

beetle, death watch beetle, common furniture<br />

beetle and longhorn beetle. Any type of object<br />

which contains any of these materials in its<br />

composition may be liable to attack.<br />

Humidity is an important factor in the corrosion<br />

of metals, in the fading and tendering of<br />

textiles, in the movement of salts into and out<br />

of ceramics and stone and in the phenomenon<br />

known as glass disease. The consequences<br />

and mechanisms of deterioration of these<br />

materials are discussed in Chapter 8.<br />

The mechanism of fading and tendering of<br />

textiles is still not perfectly understood but the<br />

photochemical degradation of textiles and<br />

water colours requires oxygen and water<br />

without which very little action takes place, as<br />

demonstrated by the early work of Russell and<br />

Abney on water colours (Brommelle, 1964).<br />

The influence of humidity may possibly be<br />

explained on the basis that most fading<br />

reactions are bi-molecular and are diffusion<br />

controlled. At higher levels of humidity, diffusion<br />

of the reaction partners towards each<br />

other becomes increasingly facilitated. The<br />

excited species formed by absorption of light<br />

then gets less time to dissipate its energy and<br />

return to the ground state before reaction<br />

occurs. In general, diffusion of the participants<br />

in a chemical reaction will be increased at<br />

higher RH and a film of moisture on surfaces<br />

will provide an ideal medium for reaction<br />

between objects and pollutant gases in the air.<br />

Control of RH<br />

Criteria for moisture control are discussed by<br />

Brundrett (1990). Where water is an agent of<br />

General review of environment and deterioration 257<br />

deterioration, the humidity should be kept to<br />

a minimum. Where the water content of an<br />

object affects its physical properties, the<br />

humidity should be kept stable. Based on a<br />

compromise of the requirements of the different<br />

types of materials encountered in a mixed<br />

collection, a point in the range 50–60%,<br />

usually 55%, with a variation of ±5% has been<br />

chosen by many museums in the United<br />

Kingdom. Specially sensitive items may have<br />

to be isolated and treated individually if their<br />

requirements cannot be met in this range. For<br />

a collection of only one type of object a figure<br />

can be chosen which best suits that type of<br />

object. These set limits for variation do not<br />

necessarily represent the best that could be<br />

done for the sake of the objects. This is partly<br />

because the complexity of possible interactions<br />

mitigates against a single simple statement<br />

of ‘ideal’ conditions for all objects and<br />

partly because it is anything but easy to keep<br />

relative humidity constant (even within the<br />

above limits) in a building that is actually<br />

being used.<br />

Having decided on a desirable level of RH,<br />

however, the question next arises as to how<br />

this is to be maintained throughout the day<br />

and throughout the year. There is no perfect<br />

answer to this question but it is certainly influenced<br />

by the resources available – especially<br />

money. Probably the most complete answer to<br />

humidity control is provided by air conditioning<br />

(Chadderton, 1993). Air conditioning<br />

should ensure that air in galleries is kept clean<br />

and free from pollutant gases and microorganisms<br />

and is maintained at a near constant<br />

temperature and relative humidity. Before this<br />

can be installed it is necessary to have at least<br />

one and preferably two years readings for<br />

temperature and relative humidity in those<br />

buildings or parts of buildings which it is<br />

proposed should be air conditioned. The<br />

variables which most affect the system include<br />

the requirement for filtration, the movement of<br />

people in and out of the space, the lighting,<br />

climate and daily and seasonal variations. The<br />

heating and cooling requirements for the least,<br />

mean and greatest situations must then be<br />

worked out before air conditioning can be<br />

installed. Once installed, an air conditioning<br />

plant requires skilled attention to maintain it<br />

in good working order and emergency backup<br />

facilities in case any part of it breaks down.

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