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Series editors' preface - Wood Tools

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160 Conservation of Furniture<br />

to be a unique event in the life of the object.<br />

There are various reasons why the principle of<br />

reversibility must be borne in mind by the conservator<br />

and they can be very practical (e.g.<br />

providing short-term reversibility in case things<br />

go wrong) as well as ethical or philosophical.<br />

Some adhesives and coatings will severely limit<br />

the possibility of future treatment or even subsequent<br />

operations in the same treatment. For<br />

example, consolidation with waxes or stabilization<br />

with polyethylene glycols will introduce<br />

very effective release agents that make adhesive<br />

bonding or coating virtually impossible, and<br />

such treatments are practically as well as theoretically<br />

irreversible. There may also be a conflict<br />

between durability and reversibility.<br />

Health and safety<br />

Virtually all cured adhesives are of very low<br />

toxicity, but this is not true of the uncured liquid<br />

components. The chemicals used to prepare<br />

thermosetting adhesives such as epoxies,<br />

polyesters and formaldehyde resins, are associated<br />

with a variety of health hazards, as are the<br />

solvents used to apply various natural and synthetic<br />

resins. Health hazards have become an<br />

increasingly important concern as the risks<br />

have become more fully understood. Decisions<br />

regarding use of toxic materials have been left<br />

to the craftsperson or conservator in the past,<br />

but are increasingly being made by governmental<br />

regulatory agencies. Wherever good<br />

alternatives can be found to toxic materials<br />

they should be used, even if minor disadvantages<br />

are evident.<br />

Characteristics of cured adhesive<br />

The physical characteristics of the cured or<br />

solid adhesive are of obvious importance.<br />

Many of these characteristics, such as hardness<br />

and fragility, softness and potential for cold<br />

flow or creep, sensitivity to moisture and heat<br />

have already been discussed. Visual characteristics<br />

can also be very important. These considerations<br />

include the initial colour of the<br />

cured adhesive as well as colour change as a<br />

result of ageing. The adhesive can affect the<br />

colour of the substrate by staining it, or by filling<br />

pores and visually darkening it as a result<br />

of optical saturation. Cured adhesives are also<br />

vulnerable to processes of chemical degradation<br />

which can result in change of colour or<br />

adhesive and cohesive failure. Adhesives<br />

which spontaneously reverse themselves over<br />

time have obvious limitations but from the<br />

point of view of a manufacturer in our throwaway<br />

society, these times can be relatively<br />

short and still be acceptable. Claims of permanence<br />

by industry must therefore be carefully<br />

evaluated.<br />

Relativity of choice factors<br />

It is important to note that there are no<br />

absolute advantages or disadvantages affecting<br />

a choice that will not be governed by service<br />

conditions and ethical and aesthetic factors.<br />

The characteristic cold-flow or creep of a soft<br />

adhesive for instance, while disadvantageous<br />

in most situations can accommodate movement<br />

in an inherently unstable material such as<br />

wood. There are no good or bad materials,<br />

only poorly considered applications. A conservator<br />

is simply eliminating tools from the kit if<br />

a prejudice concerning a material is allowed to<br />

develop as a result of poor performance under<br />

specific conditions. Care must be taken to evaluate<br />

each new situation with a clear and open<br />

mind.<br />

4.5.2 Adhesives used in woodworking<br />

Given the ingenuity and imagination of human<br />

beings it is likely that almost any substance<br />

ancient or modern that could be construed as<br />

an adhesive has been tried as such. A tremendous<br />

variety of substances have been used as<br />

adhesives, both singly and in combination.<br />

These include natural waxes, bituminous materials<br />

(asphaltum and bitumen, tars and<br />

pitches), carbohydrates (starch and plant<br />

gums), animal and vegetable proteins, natural<br />

resins and lacquers, and virtually all of the synthetic<br />

polymers or plastics. Among the synthetic<br />

thermoplastic polymers used as<br />

adhesives, simple solvent release formulations<br />

include cellulose nitrate, cellulose acetate,<br />

polystyrene, poly vinyl acetates and acrylics.<br />

Resin emulsions, familiar to most people as<br />

white glue and yellow glue, are among the<br />

most commonly used non-industrial woodworking<br />

adhesives. Thermosetting resins<br />

include urea formaldehyde, phenol formaldehyde,<br />

resorcinol formaldehyde, epoxies and<br />

cyanoacrylates. These materials are discussed<br />

in detail in section 4.7.6. Many of these materials<br />

were obviously unsuitable, many have

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