23.03.2013 Views

Series editors' preface - Wood Tools

Series editors' preface - Wood Tools

Series editors' preface - Wood Tools

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

and dried to remove unwanted flesh that<br />

would putrefy and spoil the skin. After drying<br />

the skin is manipulated to soften the handling.<br />

Sometimes the skins are oil or alum dressed on<br />

the flesh side, for example Eames’s 1946 Slink<br />

Skin seat illustrated in Miller (1990).<br />

Shark and ray skin<br />

The skins of sharks and rays of the class<br />

Chondrichthyes have had various uses in furniture<br />

making and are often confused. Both types<br />

of skin are covered with raised horny ‘pellicles’<br />

(dermal denticles). These contain osteodentin, a<br />

material resembling the dentin of teeth but having<br />

the mineralized tissue organized into a<br />

structure of tightly packed tubes. In shark skins<br />

these are quite small and sharp, and have made<br />

sharkskin useful as an abrasive for finishing<br />

woodwork. Ray skins, particularly the various<br />

stingray species of the family Dasyatidae, are<br />

covered with light coloured rounded polygons<br />

packed tightly together. These have been used<br />

to cover Japanese sword hilts with the pellicles<br />

left intact. In Europe, sting ray skins were<br />

ground down flat, and often dyed from the<br />

flesh side to produce a beautiful pearl-patterned<br />

material which was used to cover boxes<br />

and cases for high quality instruments. This<br />

‘shagreen’ (also known as Galuchat after a<br />

French craftsman who excelled in its use) was<br />

used to cover furniture, particularly in French<br />

Art Deco style pieces such as those by Jacques<br />

Emile Ruhlman.<br />

Identification of leather and skin<br />

products<br />

It may be possible to identify the type and<br />

maturity of the skin by examining various gross<br />

features including grain surface patterns and<br />

grouping and sizes of hair or feather follicles, or<br />

scale patterns (Haines 1981, 1985; Munn, 1989;<br />

Waterer, 1968). Also, different tanning and finishing<br />

techniques give leather its variety in<br />

appearance (Kühn, 1986). Under magnification,<br />

further identification can be made by examining<br />

cross-sections of the internal structure since<br />

skins vary in total thickness, in dimensions of<br />

fibre bundles, in weave patterns and in the<br />

ratios of grain to corium. Imitation leather such<br />

as polyvinyl-chloride can be identified macroscopically<br />

or in cross-section (Haines, 1981;<br />

Thorp, 1990). Methods of analysis are available<br />

to determine tanning method used, fat and<br />

Upholstery materials and structures 105<br />

(a) (b)<br />

(c) (d)<br />

(e) (f)<br />

Figure 3.6 Simple woven structures of rush/reed/cane:<br />

(a) binder cane; (b) rush; (c) 4-way cane; (d) spline; (e)<br />

6-way cane; (f ) cordage<br />

moisture contents and acidity (Haines, 1985;<br />

Hallebeek, 1984; O’Flaherty et al., 1965).<br />

For further information on skins parchment<br />

and leathers see Calnan and Haines (1991),<br />

Fogle (1985), Reed (1972), Sharphouse (1983),<br />

Stambolov (1969), Thomas et al. (1983),<br />

Thomson (1981a, 1981b, 1985), Waterer (1968,<br />

1972), and occasional papers published by the<br />

Leather Conservation Centre in the UK and by<br />

Leather Conservation News in the USA.<br />

3.2.2 Simple structures – interworked<br />

materials (including rush and cane)<br />

These materials are used in the production of<br />

simple upholstery systems which include flat

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!