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Series editors' preface - Wood Tools

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to reverse if necessary. Gelatin may not adhere<br />

to a surface that has been treated with synthetics<br />

in the past.<br />

The application of wheat starch paste to<br />

large areas is not advisable, even when a ‘dry’<br />

solution is used. The paper lining is unlikely<br />

to have been, and probably cannot be,<br />

washed. As a result, moisture from the wheat<br />

starch paste will bring some degradation<br />

products present in the paper into solution. A<br />

brown tide line will form as the solubilized<br />

degradation products migrate and stain the<br />

paper as it dries (Figure 15.2). In smaller<br />

areas, ‘dry’ wheat starch paste can be applied<br />

to a surface, and allowed to dry slightly before<br />

pressure is applied. A heated spatula can be<br />

used to speed drying. This is a very timeconsuming<br />

process and may not be practicable<br />

for securing large areas of a lifting paper<br />

liner. The resultant bond between the wheat<br />

starch paste, liner and wood substrate might<br />

not be as strong as gelatin. The drying time<br />

will be considerably longer than if gelatin or<br />

Figure 15.2 An example of tide lining on a colour<br />

lithograph entitled ‘The St Sebastian Society of Archers<br />

at Bruges’. Water-soluble degradation products in the<br />

paper move with water through the sheet. When the<br />

water dries they are redeposited and form a brown tide<br />

line. Once dry, tide lines can be permanently disfiguring<br />

BEVA ® film had been used. Huxtable and<br />

Webber (1986) give comprehensive directions<br />

for preparing wheat starch paste. ‘Dry’ wheat<br />

starch paste is prepared by placing a small<br />

amount of paste onto blotting paper before<br />

use to draw off excess moisture.<br />

BEVA ® film can be used to secure a lifting<br />

lining. The film is placed between the paper<br />

and wood substrate and a heated spatula is<br />

used to tack the lining into place. BEVA ® film<br />

may not bond well or evenly to a wood<br />

substrate because tacking takes place through<br />

the drawer lining.<br />

Synthetic adhesives may be appropriate if<br />

gelatin is unsuccessful. A degree of flexibility is<br />

necessary to accommodate the differential<br />

expansion and contraction of the paper and<br />

wood substrate. The adhesive chosen must be<br />

flexible, with a glass transition temperature (Tg)<br />

around room temperature. The flexibility of<br />

thermoplastic polymers is affected by the<br />

solvent in which they are dissolved (see section<br />

12.4.3). Future removal of such adhesives may<br />

be difficult in a small drawer interior. In<br />

addition, solvent applied to remove the<br />

adhesive may cause migration of the adhesive<br />

into the paper and, by saturating the liner in<br />

places, may cause tide lines or future oxidative<br />

discoloration.<br />

PVAC adhesives are not usually a good<br />

choice for paper because their reversibility is<br />

limited and the adhesive is stronger than the<br />

paper. The reversibility of PVAC is limited<br />

even in low concentrations. PVAC will swell<br />

in polar solvents, such as acetone, but still<br />

requires mechanical action for removal. The<br />

paper substrate would typically fail before the<br />

adhesive. In addition, it should be noted that<br />

PVAC off-gasses acetic acid for up to a year<br />

and the pH of many emulsions and dispersions<br />

falls as they age (Down et al., 1996). As<br />

a result many PVAC adhesives are not appropriate<br />

for use with paper, particularly where<br />

there is a risk that an acidic micro-climate will<br />

form, e.g. a drawer interior.<br />

15.3 Metals<br />

Conserving other materials I 677<br />

15.3.1 Introduction<br />

The basic principles of metal conservation are to<br />

preserve aesthetic value and historical and

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