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Series editors' preface - Wood Tools

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416 Conservation of Furniture<br />

under another light source. This is called<br />

metamerism. It is possible to calculate whether<br />

a lamp will distort colours by one of two methods.<br />

The first of these is the CIE colour shift<br />

method (CIE, 1974) and the second is the NPL<br />

Crawford Spectral band method (Crawford,<br />

1959, 1960). In the CIE method the test lamp is<br />

compared with a reference lamp of the same<br />

correlated colour temperature to determine the<br />

(average) shift in position in colour space of<br />

eight test colours. A lamp with a colour rendering<br />

index (R a) of 100 has perfect colour<br />

rendering. The lower the colour rendering<br />

index the worse the shift in colour that is<br />

observed. Pure, unfiltered daylight has a colour<br />

rendering index of 100.<br />

Although lamps of both high and low colour<br />

temperature can have good colour rendering,<br />

if they are used together the eye will adapt to<br />

one or other of them making the other(s)<br />

appear wrong. Tungsten lights appear to give<br />

a yellow cast and fluorescent lights a blue cast<br />

whereas on their own any of these sources<br />

(provided it had good colour rendering) could<br />

give satisfactory viewing. It will make matters<br />

simpler in the long run to decide on a<br />

restricted range of light sources of known qualities<br />

for use in the studio. Issues that should be<br />

considered in relation to lamp choice besides<br />

colour rendering and colour temperature are<br />

ease of control, the extent of radiant heating<br />

produced by the lamp, cost of installation and<br />

maintenance and personal preference.<br />

The temperature of the work space needs to<br />

be regulated for comfortable working, and for<br />

the safety of the objects and for the success of<br />

many conservation operations temperature<br />

needs to be maintained fairly constant in the<br />

range suggested in Chapter 6. An architect<br />

should be consulted for advice on how best to<br />

deal with the building to achieve efficient control<br />

of temperature. This will involve some calculations<br />

on the thermal mass of the building,<br />

the probability of overheating in summer<br />

months and the need for heating in winter. In<br />

an environment where flammable solvents may<br />

be in use, safety is paramount and no naked<br />

flames should be used for heating the space or<br />

for heating water. Electrical convection heaters<br />

tend to stir up any solvent vapours that may be<br />

present and are therefore not a good choice.<br />

Central heating radiators are a good choice as<br />

long as the boiler is remote. Electric oil-filled<br />

radiators are also satisfactory. Thermometers<br />

and hygrometers (or thermohygrographs)<br />

should be installed to monitor the space to<br />

ensure that satisfactory conditions are being<br />

maintained.<br />

Extraction<br />

Extraction may be of two types, the dilution<br />

type and the local exhaust ventilation (LEV)<br />

type. Dilution extraction removes stale air and<br />

provides a supply of fresh air but allows any<br />

contamination, although diluted, to become<br />

mixed into the general room air supply. For<br />

efficient removal of noxious vapours removal<br />

at source using local exhaust ventilation is necessary.<br />

Using this system a hood and duct are<br />

situated close to the work and noxious vapours<br />

can be extracted away from the person using<br />

hazardous materials. Flow rates measured in<br />

cubic metres per second or cubic metres per<br />

hour give a good guide to the efficacy of such<br />

systems. Low level solvent use, such as occurs<br />

in retouching for example, requires extraction<br />

of 0.5 cubic metres per second extraction at<br />

source (Hughes, 1987). Other processes, such<br />

as the use of an air brush, may need<br />

0.6–1.0 m/s and may require work to be done<br />

in a spray booth or fume cupboard, for which<br />

well defined standards (e.g. BS DD80) exist.<br />

Systems to achieve this can be portable, freestanding<br />

or fixed. Systems that are fixed in<br />

space are obviously less flexible than portable<br />

systems (Figure 9.6). Such systems are noisy,<br />

as is any system in which a large volume of air<br />

is being moved at speed although devices to<br />

reduce the noise level can be fitted. With any<br />

such system careful thought needs to be given<br />

to where the air is going to and where it is<br />

coming from. Contaminated air should be<br />

vented well clear of the building and away<br />

from areas where people may be working. In<br />

the long run we should be working to avoid<br />

the need for such systems by using less hostile<br />

materials in our work. A disadvantage of fixed<br />

systems is that not only contaminants but also<br />

warm and possibly humidified air is extracted<br />

out of the building causing air to be replaced<br />

with (possibly) cold dry air. If air is being<br />

extracted out of the building, the volume of air<br />

extracted has to be balanced by a similar volume<br />

of fresh air coming in to the room. It is<br />

therefore important when installing such systems<br />

to think very carefully about the source

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