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Series editors' preface - Wood Tools

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716 Conservation of Furniture<br />

stains have penetrated some distance into the<br />

stone. Solvent cleaning, outlined in 11.3, may<br />

be used for the removal of aged, non-original<br />

coatings. There have been suggestions that<br />

steam cleaning of stone is an excessively<br />

aggressive treatment and current research<br />

should be considered before such a treatment<br />

is undertaken.<br />

Alabaster may be cleaned with non-polar<br />

solvents, although a small amount of alcohol<br />

may be used if a more polar mix is required.<br />

The efficacy of solvent cleaning solutions may<br />

be improved if they are applied in gel form.<br />

Poultices for use on alabaster may be made<br />

with a non-polar solvent and sepiolite or attapulgite.<br />

Consolidation<br />

Stone that requires consolidation should be<br />

referred to a specialist for treatment.<br />

Repair and reintegration<br />

Once a slab has broken it is likely to be more<br />

fragile than a comparable unbroken piece,<br />

regardless of the method used to repair it. The<br />

treatment of major structural repairs will be<br />

dependent on the thickness of the slab and the<br />

type of break. The most common methods used<br />

by stone conservators to support breaks are<br />

stainless steel dowels, cramps or flat rods set<br />

into a thixotropic knife grade polyester resin.<br />

Such treatments should be undertaken by an<br />

experienced stone conservator. Structural fills<br />

for stone, i.e. those that contribute to overall<br />

structural integrity, have been considered by<br />

Griswold and Uricheck (1998). An aluminium<br />

honeycomb support, such as Hexlite ® , may be<br />

used underneath a broken slab to support it.<br />

Such supports offer the advantage of minimal<br />

intervention coupled with a uniform lightweight<br />

support but will change the thickness of the slab<br />

component. Although Hexlite ® is often used in<br />

conjunction with epoxy resins, the use of a<br />

range of other adhesives, including PVAC and<br />

Beva 371, has been described in conservation<br />

literature.<br />

Marble chips may be reattached using a<br />

thixotropic knife grade polyester resin. Fills<br />

may be necessary if small losses have occurred.<br />

Fills may be made using water clear polyester<br />

or two part acrylic resins such as Akemi ®<br />

(Figure 16.1a). The choice of polyester resin<br />

for fills is dependent on the required working<br />

(a)<br />

(b)<br />

Figure 16.1 Infilling marble<br />

(a) An area of loss on a seventeenth century Indian<br />

marble Agrawork panel, prepared to receive a fill.<br />

Aluminium foil tape has been used to ‘wall’ the fill,<br />

which is built up in stages. Water clear polyester resin<br />

has been matched to the colour of the background<br />

marble using alabaster powder and pigment. The<br />

pigmented polyester resin forms a thick but fluid paste<br />

(b) Fill completed and matched to the background<br />

colour of the marble. Although the Agrawork design has<br />

been reproduced where the design elements were<br />

known, conjectural restoration has not been undertaken<br />

time. Ground white alabaster or white marble<br />

dust may be used in combination with pigments<br />

to obtain the required texture and colour<br />

(Figure 16.1b). Melinex/Mylar may be used<br />

between a piece of Perspex/Plexiglass and the<br />

surface to ensure a level fill. An uneven fill<br />

may be levelled using a sharp blade and polished<br />

using fine abrasive papers, but care must<br />

be taken to avoid damaging the adjacent stone<br />

surface. Very small fills may utilize Polyfilla or<br />

pigmented wax. If local retouching is necessary<br />

finely ground pigments in a thin solution (less<br />

than 5%) of a Paraloid resin or other conservation<br />

grade binder may be used. Artist’s

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