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Series editors' preface - Wood Tools

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(1991) reported that stronger bonds were<br />

formed when adhesive was applied to the<br />

support fabric rather than the leather. The<br />

adhesive should be applied as a continuous<br />

coat. Although Selm recommended a dot pattern<br />

for upholstery leathers and other threedimensional<br />

surfaces, in practice such<br />

discontinuous application often fails. Many<br />

conservators prefer to apply acrylic emulsions<br />

(e.g. Lascaux 360 HV: 498 HV 1:3) adhesive to<br />

the backing material and allow the diluent to<br />

evaporate. The film may be reactivated with<br />

solvent and pressed onto the leather and moderate<br />

heat may be used to improve the adhesive<br />

bond. This technique will ensure a good<br />

adhesive bond but minimize adhesive penetration<br />

of the leather and may be particularly useful<br />

for spot repairs on vulnerable or damaged<br />

leathers.<br />

Beva 371 film or solution can be useful for<br />

large areas, such as panels, is easy to apply<br />

and has good tack. Solutions of Beva can be<br />

pigmented to match the leather. Paraloid B72<br />

may be useful for adhering small flakes or for<br />

small structural repairs. Solutions should have<br />

a high resin content (up to 50%) and may utilize<br />

faster evaporating solvents to limit the penetration<br />

of the adhesive into the leather.<br />

Non-leather infills Often damage to leather<br />

surfaces may be too small or irregular to fill<br />

with leather. The infill material should be flexible<br />

and chemically stable. Pigmented natural<br />

waxes such beeswax or carnauba wax have<br />

been used in the past for leather to infill losses<br />

in leather which cannot flex and is not in use.<br />

Natural waxes have several disadvantages,<br />

including their acidity and a propensity to hold<br />

dust. Mixtures with a high proportion of<br />

beeswax have a low softening point. Beva 371<br />

has been used as an alternative to these natural<br />

materials (Figure 16.9). In all cases it may be<br />

difficult to remove all residues and any accretions<br />

on the leather usually prevent the adhesion<br />

of subsequent non-wax fills. Pre-sealing<br />

the leather may lead to solidification of the<br />

structure unless a very flexible material is used<br />

with minimal penetration. Selm (1991) reported<br />

success using a formulation based on Encryl E,<br />

an acrylic emulsion based on ethyl and butyl<br />

acrylates, a wax emulsion, thickener and<br />

microballoons. Beva 371 film, though less easy<br />

to apply, also produced satisfactory results.<br />

Conserving other materials II 735<br />

Nieuwenhuizen (1998) discussed the use of<br />

Beva 371 or Paraloid F10 bulked with glass<br />

microspheres. Non-leather infills may be colour<br />

matched to the surrounding surface using a<br />

(a)<br />

(b)<br />

Figure 16.9 Non-leather infills<br />

(a) Filling a gap in eighteenth-century gilt leather, from<br />

Levens Hall, Cumbria, using hot-melt pigmented Beva<br />

371. (b) Cleaning excess infill from the seat of a<br />

seventeenth-century chair

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