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Series editors' preface - Wood Tools

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Plastics and polymers, coatings and binding media, adhesives and consolidants 139<br />

markedly affected. The higher molecular<br />

weight PVAC and acrylic polymers tend to give<br />

semi-matt finishes whereas dammar, mastic<br />

and AW2 tend to produce high gloss surfaces.<br />

The nature of the surface therefore depends<br />

partly on the ability of the film to level itself.<br />

This in turn depends on the nature of the solvents<br />

used to formulate the coating. Using solvents<br />

that evaporate slowly will reduce the rate<br />

at which viscosity rises and allow more time<br />

for levelling of the coating before drying.<br />

However, it will also allow more time for the<br />

coating to pick up dust. Considerable experience<br />

is needed for the proper selection of solvents<br />

for coatings, particularly when using<br />

materials of high viscosity grade. Selection of<br />

solvents for coatings may, however, be<br />

restricted by the potential effect of the solvent<br />

on the underlying paint (Tsang and Erhardt,<br />

1990). A slow evaporating solvent will remain<br />

in contact with the paint for longer and there<br />

is therefore greater risk of solvent action on the<br />

paint. Provided that a polymer material used as<br />

a coating is capable of high gloss then it is possible<br />

to obtain a full range of effects using different<br />

solvents, application techniques and<br />

matting agents.<br />

The ability of a coating to wet the surface is<br />

important in saturating the surface and allowing<br />

colours to be seen, particularly so with<br />

porous surfaces. Penetration into porous surfaces<br />

is more easily achieved with polymers of<br />

low viscosity grade. An appropriate degree of<br />

adhesion to the surface is also important.<br />

Failure in this respect leads to light being<br />

reflected by cracks and fissures. This is often<br />

noted with polyvinyl alcohols which generally<br />

have low adhesion on most kinds of paint. The<br />

interaction of a coating with the wood on a<br />

cellular level is difficult to ascertain. Microscopy<br />

may show coatings that sit on the top of<br />

the wood exhibiting no evidence of saturation.<br />

Other coatings may be found to penetrate<br />

many cells into the wood tissue. The adhesive<br />

properties of surface coatings are similar to<br />

those of the same polymers used as adhesives.<br />

Some components of a coating such as oils can<br />

be drawn into the wood structure selectively<br />

due to the heterogenous nature of wood and<br />

this can cause uneven ageing characteristics in<br />

the coating. Coatings that are water or alcohol<br />

based are capable of swelling the wood tissue<br />

and thereby penetrating through cell walls.<br />

This is one reason why alcohol-based coatings,<br />

or ‘spirit varnishes’ are known for excellent<br />

mechanical bonding with wood.<br />

The refractive index of a coating can affect<br />

the appearance of the underlying surface.<br />

Refractive index measures the extent that light<br />

is bent in travelling from one medium to<br />

another (strictly speaking, from a vacuum but<br />

air gives a close approximation). As the refractive<br />

index of a coating increases, more light is<br />

reflected from the top surface, less light<br />

escapes from the coating into the air again and<br />

less light is reflected at the coating/paint interface.<br />

The refractive index therefore affects the<br />

success with which the surface is revealed.<br />

However, in practice the effect of variations in<br />

refractive index is often less apparent than differences<br />

in gloss due to the relative smoothness<br />

of the upper surface of the coating and<br />

the ability of the coating to penetrate and wet<br />

out the surface. This point is demonstrated by<br />

polyvinyl alcohols, cellulose ethers, and soluble<br />

nylon which are, or have been, used as<br />

consolidants of loose dry pigment. They have<br />

a minimal darkening effect because of their<br />

poor adhesive and wetting properties.<br />

Very few polymers absorb radiation in the<br />

visible spectrum that is roughly between 380<br />

and 760 nm. Thus, most polymers are colourless.<br />

However, some thermosets (including<br />

phenol formaldehyde, epoxies, and<br />

polyurethanes) absorb slightly more strongly at<br />

the blue end of the spectrum and thus appear<br />

yellowish or brownish in transmitted or<br />

reflected light. These substances contain alternating<br />

double and single bonds or aromatic<br />

rings which act as chromophores, absorbing<br />

light at frequencies corresponding to the excitation<br />

energies of bonding electrons. Since the<br />

eye is not sensitive to wavelengths of less than<br />

about 400 nm it is not necessary for coatings to<br />

transmit light of shorter wavelength. Indeed, it<br />

is a definite advantage if they do not since this<br />

will protect the underlying surface against<br />

damage from UV. Fresh dammar resin films<br />

absorb nearly all radiation below 280 nm and<br />

some of that between 280 and 380 nm. When<br />

aged, films of dammar and mastic absorb more<br />

of the UV component and some of the shorter<br />

wavelength visible radiation. They therefore<br />

appear yellow and later even brown thus distorting<br />

the true colours of the surface under the<br />

coating.

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