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Series editors' preface - Wood Tools

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242 Conservation of Furniture<br />

lead developments in activities such as collections<br />

management and conservation. The<br />

frequent reference to institutional needs in this<br />

chapter is not intended to exclude those<br />

working privately but to provide a benchmark<br />

for all those involved in caring for our<br />

heritage.<br />

6.1.2 Use versus preservation<br />

Many collections, both institutional and<br />

private, constitute finite groups of objects that<br />

have been built up over long periods of time<br />

which are, for practical purposes, irreplaceable.<br />

These collections are required to be used<br />

but equally must be preserved for future<br />

generations. We often seem to expect each<br />

individual object to last forever and yet to be<br />

continually used and re-used. Clearly, objects<br />

cannot last forever. It is therefore important for<br />

all those involved in the use and the maintenance<br />

of these non-renewable resources to<br />

understand how to get the best out of their<br />

objects and how to look after them so that<br />

they will last as long as possible. It is therefore<br />

necessary to understand how objects are<br />

used, what it is about them which is important,<br />

how they may be changed or damaged<br />

during use and how this change can be<br />

minimized. Conservators are expected to have<br />

detailed knowledge in this area but they can<br />

add to their effectiveness by being able to<br />

communicate their knowledge in realistic and<br />

meaningful fashion to others who require<br />

understanding but less detailed knowledge.<br />

Collections may be used in many ways, but<br />

there are two general approaches to the use<br />

of public collections. In one the objects remain<br />

stationary and people come to them and in<br />

the other the objects themselves are moved. It<br />

is important to understand that the lives of<br />

objects are dynamic. For objects to be useful<br />

they must be used. This is especially true for<br />

objects in public collections. Despite the often<br />

mausoleum like atmosphere in museums they<br />

are in fact, at least as far as their objects are<br />

concerned, extremely busy places. To meet<br />

the requirement to give access to the public,<br />

objects are displayed in galleries, study rooms<br />

and stores, loaned to exhibitions,<br />

photographed for publication subjected to<br />

scientific examination and actively used for<br />

lecturing and teaching. These activities require<br />

a continual cycle of handling and moving.<br />

Ways in which the potentially harmful effects<br />

of this activity can be minimized are presented<br />

below in the section on handling.<br />

We do not keep objects just because they<br />

are ‘beautiful’ but because of the information<br />

they contain, because they are documents in<br />

their own right. Some information is available<br />

in the form of photographs, catalogues and<br />

labels, and these are very important. However,<br />

objects themselves contain a great deal of<br />

information that may not be available<br />

elsewhere. If an object is lost this is lost with<br />

it. Much of this information – texture, colour,<br />

shape, decoration, patterns and so forth may<br />

be immediately obvious on the surface. There<br />

may also be traces of pigment or there may<br />

be tool marks – small traces that may only be<br />

visible upon very careful inspection. In some<br />

cases information is only revealed by scientific<br />

examination. A lot of this information is on or<br />

in the surface of the object and it is the surface<br />

that is, unfortunately, the part most likely to<br />

get damaged.<br />

Change and damage<br />

Where the majority of the information is on<br />

the surface of the object, a small amount of<br />

damage or loss could result in the loss of a<br />

great deal of information. Also, a small amount<br />

of damage may result in the remaining information<br />

being distorted. We have therefore to<br />

be very careful about how we care for our<br />

collections because we might inadvertently<br />

lose the whole purpose of an individual part<br />

of our collection or a whole collection.<br />

The risks associated with moving objects are<br />

in general familiar; objects may interact with<br />

each other, with the people doing the moving,<br />

or with the building, transport or equipment<br />

used. Inherent risks to the objects range from<br />

knocks and abrasions to total loss. The risks<br />

of just leaving objects at rest may not be so<br />

obvious but changes will take place very<br />

slowly, which may alter the way the objects<br />

can be used. The way in which objects will<br />

react to either being left alone or being moved<br />

will depend very much on the materials they<br />

are made of and the way they were originally<br />

constructed.<br />

One way to preserve our objects would be<br />

to bury them deep underground hermetically<br />

sealed in thick, dark, inert containers from

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