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Series editors' preface - Wood Tools

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erty of the adhesive polymer rather than the<br />

result of the presence of retained solvent or<br />

plasticizers. The effect of the fill on adjacent<br />

material should also be considered; for example,<br />

water-based fills with a high water content<br />

may swell unsealed adjacent original gesso,<br />

whilst some solvents may swell adjacent pigmented<br />

layers.<br />

Bulking agents Calcium carbonate (chalk,<br />

whiting) is the traditional material used to bulk<br />

out a fill. It does not chemically interact with<br />

many adhesives and results in a comparatively<br />

weak fill, which may be an advantage in conservation.<br />

The amount of chalk to be added is<br />

gauged in terms of the viscosity of the mixture<br />

– a dough-like material for deep fills or a<br />

cream-like material that can be applied in<br />

stages. Glass (3M) and phenolic (Union<br />

Carbide) microballoons have been used as<br />

fillers for conservation. Cellulose or paper pulp<br />

may be used for low density fills.<br />

Wax Wax has been used as a filling material<br />

in the past but is no longer generally used as a<br />

filler in decorated surfaces, though it may find<br />

application for shallow losses. Residues of wax<br />

may be difficult to remove completely and are<br />

likely to interfere with the adhesion of non-wax<br />

fills in the future. If wax is used as a filler, it<br />

should be isolated from the original surface,<br />

particularly where the fill would otherwise be<br />

in contact with a porous ground or decorative<br />

layer. Although wax fills are easily levelled,<br />

many coatings will not adhere to them due to<br />

their low surface energy and this may make<br />

sealing and retouching difficult. Further, many<br />

conservation inpainting media have a hydrocarbon<br />

solvent component, which may disturb<br />

the surface of a wax fill. Shellac, often used for<br />

sealing and retouching wax fills in wood, is not<br />

generally used in the conservation of decorative<br />

surfaces due to the polarity of the solvents<br />

needed to reverse it and a reported tendency to<br />

crosslink over time (Horie, 1992).<br />

Gesso Gesso is widely used in the West as a<br />

ground for many decorated surfaces and, as the<br />

interface between the substrate and the surface<br />

layers, is often the locus for adhesive failure.<br />

The term gesso originally referred to a gypsumbased<br />

ground such as those commonly used in<br />

southern Europe, and in some conservation dis-<br />

Principles of consolidation, aesthetic reintegration and coatings 577<br />

ciplines this specific definition remains. In the<br />

context of furniture conservation, the term<br />

gesso commonly includes ground layers based<br />

on collagen glue and calcium carbonate<br />

(chalk). Mecklenburg (1991) has demonstrated<br />

that the proportion of chalk in the gesso will<br />

affect both its strength and stiffness.<br />

Mecklenburg’s experiments demonstrated that<br />

the tensile strength of gesso is inversely proportional<br />

to the chalk-to-glue ratio. A higher<br />

proportion of chalk will reduce shrinkage and<br />

produce a fill that is softer and more easily<br />

reversed. Fills with a high proportion of chalk<br />

can be very porous and may require sealing<br />

(e.g. with varnish) before they are retouched, in<br />

order to prevent the binding medium being<br />

absorbed into the filler and leaving an underbound<br />

retouch.<br />

PVAL PVALs will not be exposed to UV when<br />

used as fill materials and therefore crosslinking<br />

should not be an issue. PVAL and whiting can<br />

be used instead of the traditional rabbit skin<br />

glue gesso. Such fills are water soluble and<br />

readily reversible using only slightly dampened<br />

swabs. The surface of the fill can be dampened<br />

to allow easier removal of excess or light<br />

moulding of the surface. For use as a fill, PVAL<br />

is dissolved in water to make a solution<br />

between 6% and 8%. Calcium carbonate is<br />

added to the solution until the mixture reaches<br />

the desired consistency, a dough for deep fills<br />

or much less viscous for shallow fills. The<br />

resulting mixture is thixotropic, which makes it<br />

difficult to apply in the same way as a traditional<br />

gesso is applied. It is best to spread it<br />

with a rubber spatula in order to obtain a<br />

smooth finish. It can be wetted again later for<br />

further smoothing, but can be dry sanded for<br />

the final finish. As with any fill material, care<br />

should be taken not to expose the adjacent surface<br />

to the fill material. PVAL has good working<br />

properties, porosity comparable to gesso<br />

and is reversible in organic solvents such as<br />

alcohol. The use of PVAL as a filling material is<br />

discussed by Hebrard and Small (1991) and<br />

Webb (1998).<br />

Commercial preparations Commercial preparations<br />

such as Polyfix (calcium carbonate and<br />

other fillers in a vinyl acetate emulsion),<br />

Polyfilla (Canada) (cellulose ether and plaster)<br />

and fine surface Polyfilla (UK) (vinyl acetate

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