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Series editors' preface - Wood Tools

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192 Conservation of Furniture<br />

Identification and Care, Plastics Historical Society and<br />

The Conservation Unit of the Museums and Galleries<br />

Commission<br />

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Proceedings of the Furniture and <strong>Wood</strong>en Objects<br />

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furniture’s Golden Age, Fine <strong>Wood</strong>working, 33, March/<br />

April, 71–75<br />

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search for the perfect film finish, Fine <strong>Wood</strong>working, 35,<br />

July/August, 54–8<br />

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Mustoe, George (1983) Which glue do you use?, Fine<br />

<strong>Wood</strong>working, 43, 62–5<br />

Mustoe, G. (1984) Glues for woodworking, Fine<br />

<strong>Wood</strong>working, 44, 48–50<br />

Newell, A.C. (1940) Colouring, Finishing and Painting<br />

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Nicholson, C. (1991) Some notes on shellac, BAFRA<br />

Newsletter, 44 (March), 15–17<br />

Pacheco (1649) Arte de la Pintura, first published in 1649<br />

by S. Faxardo, Seville (republished in Spanish 1990 by<br />

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Artists Techniques in Golden Age Spain: six treatises<br />

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[Association for Preservation Technology] Vol. XVI, No.<br />

1, 1984, pp. 3–45; also (1966) Decorative and Protective<br />

Finishes, 1750–1850: Materials, Process and Craft,<br />

Masters Thesis, University of Delaware<br />

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Conservation of Antiquities and Works of Art, 2nd edn,<br />

Oxford University Press<br />

Plesters, J. (1956) Cross-sections and chemical analysis of<br />

paint samples, Studies in Conservation, 3, 110–55<br />

Quin, J.J. (1882) Report of Her Majesty’s Acting Consul at<br />

Hakodate on the Lacquer Industry of Japan, Harrison<br />

and Sons<br />

Rice, P.C. (1980) Amber, The Golden Gem of the Ages, Van<br />

Nostrand Reinhold<br />

Roff, W.J. and Scott, J.R. (1971) Fibres, Films, Plastics and<br />

Rubbers, Butterworths<br />

Rosenquist, A.M. (1959) The stabilisation of wood found in<br />

the Viking ship of Oseberg – part II, Studies in<br />

Conservation, 4, 62–72<br />

Routledge, V. (2000) The development of MS2A reduced<br />

ketone resin in painting conservation, WAAC Newsletter,<br />

22, 2<br />

Roy, A. (1979) The laser microspectral analysis of paint,<br />

National Gallery Technical Bulletin, 3, 43–50<br />

Salmon, W. (1701) Polygraphice, London<br />

Serck-Dewaide, M. (1991) The history and conservation of<br />

the surface coating on European gilded wood objects, in<br />

D. Bigelow (ed.), Gilded <strong>Wood</strong>: Conservation and<br />

History, Sound View Press, pp. 65–78<br />

Seymour, R.B. and Mark, H.F. (eds) (1990) Organic<br />

Coatings: Their Origin and Development, Elsevier<br />

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Facsimile edition, Praeger<br />

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Shields, J. (1976) Adhesives Handbook, Newnes-Butterworths<br />

Skeist, I. (ed.) (1977) Handbook of Adhesives, Van<br />

Nostrand Reinhold<br />

Sonoda, N. and Rioux, J.P. (1990) Identification des matériaux<br />

synthétiques dans les peintures modernes. I: Vernis<br />

et liants polymères, Studies in Conservation, 35, 189–204<br />

Souza, L.A.C. and Derrick, M.R. (1995) The use of FTIR<br />

spectrometry for the identification and characterization<br />

of gesso–glue grounds in wooden polychromed sculptures<br />

and panel paintings, in Materials Issues in Art and<br />

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Stodulski, L.P. and Dorge, V.J. (1991) Analysis of materials<br />

from a late 15th–early 16th century polychromed wood<br />

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Medieval Painting, Dover<br />

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of Il Libro dell’Arte by Cenino Cennini), Dover<br />

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moulded cotton fibres, ICOM Committee for<br />

Conservation, Preprints 6th Triennial Meeting, Ottawa<br />

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plastic compositions, Preprints of papers presented at<br />

the AIC 13th annual meeting, Washington, DC<br />

Thorpe, J.F. and Whiteley, M.A. (1937) Thorpe’s Dictionary<br />

of Applied Chemistry, 4th edn, 12 vols, Longmans<br />

Tomek, J. and Pechova, D. (1992) A note on the thin layer<br />

chromatography of media in paintings, Studies in<br />

Conservation, 37, 39–41<br />

Torraca, G. (1988) Solubility and Solvents for Conservation<br />

Problems, ICCROM, 3rd edn<br />

Tsang, Jia-Sun and Erhardt, D. (1990) The extractable components<br />

of oil paint films, in AIC Paintings Speciality<br />

Group, Vol. 3: Postprints of the 18th annual meeting of<br />

the AIC in Richmond, Virginia<br />

Urbanski, J., Czerwinski, W., Janicka, K., Majewska, F. and<br />

Zowall, H. (1977) Handbook of Analysis of Synthetic<br />

Polymers and Plastics, Ellis Horwood<br />

Von Endt, D.W. and Baker, M.T. (1991) The chemistry of<br />

filled animal glue systems, in D. Bigelow (ed.), Gilded<br />

<strong>Wood</strong> Conservation and History, Sound View Press

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