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Series editors' preface - Wood Tools

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212 Conservation of Furniture<br />

achieved by the application of gold–mercury<br />

alloys (amalgam). The silver coloured buttery<br />

amalgam was applied with a stiff wire brush<br />

to presentation surfaces. The object was then<br />

heated to vaporize the mercury leaving a dull<br />

coating of gold that was burnished to a high<br />

shine. Ormolu furniture mounts are predominantly<br />

brass alloys fire gilded using this highly<br />

toxic and dangerous mercury process.<br />

Organic coatings have also been extensively<br />

employed on metals. Waxes and oils work<br />

well on unpolished or rough work, while spirit<br />

varnishes based on shellac or sandarac were<br />

commonly used on polished work during the<br />

eighteenth century and later. Lacquers for<br />

white metals were often coloured with dyes or<br />

with the alcohol-soluble coloured resins<br />

gamboge and dragon’s blood to imitate the<br />

colour of gold. Since the age of modern<br />

plastics, a host of synthetic resins have been<br />

used as clear coatings and paint binders on<br />

metalwork. Intentional chemical patination of<br />

metals has been widely used for decorative<br />

effect (Hughes and Rowe, 1982).<br />

For further information on the history and<br />

technology of metals see Singer et al. (1954–<br />

1958) and Street and Alexander (1979).<br />

Identification of metals<br />

Some metals and alloys have a characteristic<br />

colour, specific gravity or corrosion product<br />

that can be used to make a preliminary identification<br />

of the material. However, when<br />

making a visual identification it should be<br />

considered that the presence of coatings,<br />

patinas, corrosion and dirt can affect the<br />

appearance of metal.<br />

Qualitative microchemical tests, based on<br />

the formation of characteristic colours or<br />

precipitates on reaction with a specific test<br />

reagent, can be used for the identification of<br />

metals and alloys (Laver, 1978). The lower<br />

limit of detectability of an alloying element is<br />

generally between 0.2 and 1.0% (Newell,<br />

1982). The tests are carried out either as spot<br />

tests on the metal surface or involve sampling<br />

(Laver, 1978). A disadvantage of this destructive<br />

method is that the presence of each<br />

element has to be detected individually.<br />

Thomson (1991) suggests a battery continuity<br />

tester to detect the presence of non-conductive<br />

organic coating or corrosion layers on a<br />

metal surface. The ferromagnetism of iron and<br />

nickel makes it possible to identify them with<br />

a magnet.<br />

Various instrumental analytical methods,<br />

including X-ray fluorescence (XRF), energy<br />

dispersive X-ray spectrometry (EDS), atomic<br />

absorption spectroscopy (AA), neutron activation<br />

(NA), emission spectroscopy (ES), proton<br />

induced X-ray/gamma-ray emission (PIXE/<br />

PIGE) and photon activation may be used to<br />

identify metals and alloys (Parkes, 1987).<br />

These analytical methods, as well as X-ray<br />

diffraction and infrared absorption spectroscopy,<br />

may also be useful in the characterization<br />

of corrosion products.<br />

Identification of structure and<br />

fabrication of metal objects<br />

General methods of manufacture, e.g. casting,<br />

pressing, turning or assembling, can be recognized<br />

from the overall appearance or shape of<br />

the metal component. Visual examination,<br />

especially in raking light, may reveal features<br />

of the manufacture and decoration techniques<br />

such as mould marks from casting, incised<br />

grooves from engraving or compressed<br />

channels from chasing (Larsen, 1993; Watts,<br />

1982). Silicon rubber casts, which provide a<br />

reversed relief of the surface, can be an aid in<br />

the study of tool marks. The regularity of the<br />

tool marks may indicate whether or not the<br />

metal was worked by hand or machine, e.g.<br />

hammering versus rolling or, as in the case of<br />

screws, hand filing versus machine threading.<br />

The identity of the maker, workshop or origin<br />

may be recognized through stamped marks<br />

(Brandner, 1976; Kisluk-Grosheide, 1991;<br />

Stratmann, 1975) or inscribed signatures (Van<br />

Duin, 1989). Visual examination may also<br />

reveal whether or not the applied hardware is<br />

original to the furniture, as the presence of<br />

outlines, marks, holes and plugs can indicate<br />

previous attachments. A hand lens and stereomicroscope<br />

may reveal further surface details<br />

such as concentric scratches from turning or<br />

the cut edge characteristic of a fretsaw blade.<br />

Metallographic examinations reveal the<br />

internal grain structure of metals, thus providing<br />

information on the techniques employed<br />

in their fabrication. A polished and etched<br />

cross-section is prepared from a sample<br />

removed from the object and examined in<br />

reflected light using a metallographic microscope<br />

(Scott, 1991). Elemental analysis of

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