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Series editors' preface - Wood Tools

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as odourless mineral spirits or white spirits,<br />

xylene and IMS or acetone (Table 11.4).<br />

The primary problem with using solvents to<br />

remove varnish is that both coatings and<br />

decorative layers are organic polymeric materials<br />

whose solubility parameters often overlap.<br />

This problem is often found where oil-resin<br />

paint media have been coated with a natural<br />

resin varnish. Underbound pigments are<br />

vulnerable during solvent cleaning, both from<br />

dissolution of the minimal binding medium<br />

and from the mechanical action of swabs. The<br />

interaction between pigment and binder should<br />

be understood before cleaning is attempted<br />

because some pigments may be removed by<br />

careless cleaning (e.g. carbon black and vermilion<br />

are poor driers in oil). Pigment–solvent<br />

interactions should also be taken into consideration,<br />

for example the affinity of zinc derived<br />

pigments for water and alcohol. Glaze layers<br />

are vulnerable to damage or inadvertent<br />

removal because they are usually the uppermost<br />

decorative layers, are very thin and the<br />

pigment is sparsely dispersed in binding<br />

medium. The belief that glaze layers have been<br />

lost as a result of varnish removal treatments<br />

has provoked significant criticism of painting<br />

conservators in the past (Keck, 1984).<br />

A potential problem associated with solvent<br />

removal of varnish from painted surfaces is the<br />

removal of unpolymerized components of the<br />

decorative surface, an irreversible process<br />

known as leaching. Leaching of oil-painted<br />

surfaces as a result of varnish removal is<br />

discussed in the section on solvents under<br />

section 16.6.3).<br />

Swelling in the decorative surface layer as a<br />

result of exposure to solvent during varnish<br />

removal will result in damage. The decorative<br />

surface, after exposure to solvent, may attempt<br />

to swell in all directions but can only freely<br />

swell upwards, resulting in plastic compression<br />

(Figure 11.18). Whilst leaching of soluble<br />

low molecular weight components from within<br />

the decorative surface may cause shrinkage of<br />

around 15% for oil paint, plastic compression<br />

may result in up to 80% shrinkage of the paint<br />

film on drying. In addition, micro-voids may<br />

be created within the paint layer (Michalski,<br />

1990).<br />

Both polar and non-polar solvents can cause<br />

irreversible changes in solubility and other<br />

properties of protein-based layers. In particu-<br />

(a)<br />

(b)<br />

(c)<br />

Varnish<br />

Decorated layer<br />

Ground<br />

<strong>Wood</strong><br />

Principles of cleaning 525<br />

Figure 11.18 Plastic compression<br />

(a) Diagrammatic representation of a decorated surface<br />

made up of varnish, decorated and ground layers on a<br />

wood substrate<br />

(b) Solvent is introduced to remove the varnish layer.<br />

As varnish is removed, solvent enters the susceptible<br />

lower layer, which attempts to swell in all directions,<br />

but can only freely swell upwards. In other directions,<br />

the susceptible layer/s are compressed (arrows indicate<br />

direction of force)<br />

(c) Solvent evaporates and swollen layers contract.<br />

Where compressive forces have exceeded the elastic<br />

properties of the binding material, cracks will develop.<br />

Such plastic compression is irreversible<br />

lar, low molecular weight alcohols will tend to<br />

remove bound water from the protein structure,<br />

altering chemical and physical properties.<br />

Some organic solvents may react chemically<br />

with specific peptide chains, for example<br />

trichloroethylene and cysteine (Karpowicz,<br />

1981).<br />

Mixing solvents<br />

Miscibility is the capacity of one liquid to mix<br />

with another to form a stable solution. When

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