07.09.2014 Views

Please note - Swinburne University of Technology

Please note - Swinburne University of Technology

Please note - Swinburne University of Technology

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

metaphor, and associative thinking; perceiving and creating<br />

relationships. Emphasis is placed on the participants as writer<br />

and critic.<br />

References<br />

Grenville, K. The Writing Book. A Mrkbook br Fiaon Writerr.<br />

Sydney: Allen and Unwin, 1990<br />

Kinross-Smith, G. Writer. A Working Guide for New Writers.<br />

Melbourne: Oxford <strong>University</strong> Press, 1992<br />

Vargas Llosa, M. A Writer's Reality. Boston: Houghton Mifflin, 1992<br />

A1405 From Book to Film: Textuality and<br />

Discourse<br />

No. <strong>of</strong> hours per week: three hours<br />

Assessment: essay, script and seminar<br />

participation<br />

Subject aims and description<br />

This subject explores the relationships between discourse and<br />

reception through the adaptation <strong>of</strong> texts. It will be<br />

organised around a case study (eg. multi-media adaptations<br />

<strong>of</strong> Bram Stoker's Dracula), and involve the examination <strong>of</strong><br />

issues <strong>of</strong> reproduction and authenticity, as well as the<br />

cultural impact <strong>of</strong> new writing technologies on popular<br />

textual discourse. Students will be encouraged to use and<br />

reflect upon different electronic modes <strong>of</strong> communication<br />

2 and delivery, and to utilize computer applications to produce<br />

n<br />

g an adaptation proposal.<br />

G References<br />

2 Bordwell. D. and Thompson, K. Film Art. An Introduction. 4th ed.<br />

9 New York: McGraw Hill, 1993<br />

3 Chatman, 5. Smv and Discourse. Narrative Structures in Fiction and<br />

Film. Ithaca, New York: Cornell <strong>University</strong> Press, 1988<br />

Jung, C. Man and his Symbols. London: Aldus Books, 1964<br />

Ong, W. Oralify and Literacy: the <strong>Technology</strong> <strong>of</strong> the Mrd. London:<br />

Methuen, 1982<br />

Stoker, 0. Dracula. Harmondsworth: Penguin, 1992<br />

Ulmer, G. Teletheory. Grammatology h the Age <strong>of</strong> Video. New York:<br />

Routledge, 1989<br />

~ ~ 4 0 7 Open Subject<br />

Prerequisites: completion <strong>of</strong> two semester<br />

subjects<br />

Assessment: a writing project to be negotiated<br />

with the student's supervisor<br />

Subject aims and description<br />

This subject is designed to accommodate student-initiated<br />

special projects. There will be a written contract between<br />

student and supervising lecturer, issued as a preliminary to<br />

enrolment, which will state the project, the form <strong>of</strong><br />

assignment and the date <strong>of</strong> completion <strong>of</strong> the project. As an<br />

example, this subject <strong>of</strong>fers the opportunity for students to<br />

work in genres such as romance, science fiction, fantasy and<br />

the thriller, where learning opportunities and experiences<br />

exist outside formal academic institutions, with the Nwa<br />

Mob, Sisters in Crime, fandom and fanzines, etc.<br />

AM102 Media and Meanings: An Introduction<br />

No. <strong>of</strong> hours per week: three hours<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject introduces an analytical approach to media<br />

texts. Though it will refer to print and radio forms, it will<br />

primarily concern itself with film andlor television. Our<br />

interest in studying these texts is not so much to establish<br />

their worth, or otherwise, as to draw attention to the<br />

mechanics <strong>of</strong> our work as readers, to the ways in which we<br />

produce meanings from (or are confused by) the texts, to<br />

the methods they use in order to produce meanings, and to<br />

the values they embody in their representations.<br />

The texts for study will be selected from fiction and<br />

documentary films, television series, news and current affairs<br />

programs, music videos, advertisements, variety and sports<br />

shows, and children's programs. They will be examined<br />

within the context <strong>of</strong> textual theory, with particular attention<br />

being given to their visual aspects.<br />

References<br />

Bennett, W.L. News: The Fblitirs <strong>of</strong> Illusion, 2nd ed. New York:<br />

Longman, 1988<br />

Bordwell, 0. and Thompson, K. Film Artr An Introduction, 4th ed,<br />

New York: McGraw Hill, 1993<br />

Sobchack, T. and Sobchack, V.V.. An Introduction to Film, 2nd ed,<br />

Boston: Little, Brown & Co, 1987<br />

Fiske, J., Television Culture, London: Methuen, 1987<br />

Broadcast Media: Issues and<br />

Accountability<br />

No. <strong>of</strong> hours per week: three hours<br />

Assessment: continuous<br />

Subject aims and description<br />

AM103<br />

This subject is an introduction to some <strong>of</strong> the major<br />

historical and contemporary issues about broadcasting as a<br />

medium <strong>of</strong> mass communication, primarily in an Australian<br />

context. It examines the political context <strong>of</strong> broadcasting<br />

institutions, public and private, and their relationship with<br />

other social institutions. Key political, social and ethical<br />

issues associated with broadcasting are canvassed, such as<br />

the ownership and control <strong>of</strong> radio and television stations,<br />

the regulatory climate, accountability in programming,<br />

relationships to audiences, and journalistic practices and<br />

ethics. Vexed issues, such as media freedom and reform,<br />

public participation in ownership and programming,<br />

regulatory changes in broadcasting, and pr<strong>of</strong>essional<br />

journalistic standards are discussed from a range <strong>of</strong><br />

perspectives.<br />

References<br />

Armstrong, M. Media Law in Australia. 2nd ed, Melbourne: Oxford<br />

<strong>University</strong> Press, 1988<br />

Barr, T. The Electmnic Estate. Ringwood: Rnguin, 1985<br />

Bonney, W. and Wilson, H., Australia's Commercial Media,<br />

Melbourne: MacMillan, 1983<br />

Chadwick, P., Media Mates: Carving up Australia's Media, South<br />

Melbourne: MacMillan, 1989<br />

Cunningham, 5. and Turner, G. The Media in Australia. Sydney: Allen<br />

and Unwin, 1993<br />

Inglis, K.S. This is the ABC. The Australian Broadcasting Commission<br />

1932-1983. Melbourne: Melbourne <strong>University</strong> Press, 1983<br />

Johnson, L.. The Unseen mice, London: Routledge, 1988<br />

Moran, A. (ed.) Stay Tuned: the Australian Broadcasting Reader.<br />

Sydney: Allen and Unwin, 1992<br />

AM202 The Fifth Estate: New Media<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM102 or AM1 03, and AP112 for<br />

students majoring in Australian Studies<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject examines the convergence <strong>of</strong> broadcasting and<br />

telecommunications in the context <strong>of</strong> political, economic and<br />

social change associated with new media. New<br />

communications technologies, such as cable and pay<br />

television, teletext and videotext, video-cassette recorders,<br />

domestic and direct broadcast satellites, and video disc are<br />

discussed in the context <strong>of</strong> changes to traditional<br />

broadcasting systems. Notions such as technological<br />

determinism, media plurality, information access and equity,<br />

are related to an alleged new information revolution. The<br />

effects <strong>of</strong> new communications technologies on content,<br />

diversity and social needs in Australia are canvassed. As well,

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!