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Mind's Eye Theatre - Vampire The Requiem.pdf - RoseRed

Mind's Eye Theatre - Vampire The Requiem.pdf - RoseRed

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When portraying one of the Kindred a key element in capturing their nature is gaining<br />

an understanding of this need for blood. In becoming a vampire, the character is seemingly<br />

rendered immortal. As long as he takes care to avoid certain physical diffi culties and fi nds<br />

ways to distract his mind from some of the realities of his existence, he can exist for quite<br />

some time. This survival hinges on maintaining his supply of blood, however — just as we<br />

need food to keep ourselves alive. But while all we have to do for food is call the local pizza<br />

delivery place or walk to the corner store, the undead don’t have it that simple. In order to<br />

gain his sustenance, the vampire must place its own existence in jeopardy.<br />

Imagine that every time you needed to eat you had to risk your own well-being in some<br />

way — maybe by crossing a very dangerous highway. That risk might be calculated and you<br />

might have taken steps to prevent things from going wrong, but you could still be run over<br />

by a car. Feeding is never a sure thing. Yet the other option is to sit and starve, which is no<br />

option at all. And if they wait too long between feedings the Kindred increase the risk that<br />

they will be unprepared if something goes wrong.<br />

This is what the curse of their hunger means to the Kindred.<br />

SOCIALIZATION<br />

Unless they actively go to lengths to avoid it, human beings enjoy a certain natural level of<br />

socialization. We’re social animals in the most literal sense. We tend to form social groups<br />

almost despite ourselves, based on a variety of factors ranging from geographic location to<br />

shared hobbies and everything in between. <strong>The</strong>re are some true lone wolves, but for the<br />

most part, we look to others to share our lives. Doing so allows us to receive validation for<br />

the many joys and triumphs that life holds for us and to fi nd help when we are in pain or in<br />

need. One of the most jarring results of the Embrace — and one of the most underestimated<br />

— is that the new vampire suddenly fi nds himself completely disconnected from that social<br />

herd. He can’t risk being too close to anyone he once cared about, for fear his hunger will<br />

make him do something he will regret. Even if he tries, his innate predatory nature makes<br />

it impossible for most people to be at ease around him, especially as his Humanity begins<br />

the slow, inevitable decline. Cut off from the thousand tiny things that human beings do to<br />

recognize and reassure each other on a daily basis, the vampire feels truly alone in a way he<br />

never did as a mortal. This is why younger vampires often seek out coteries or other groups.<br />

It’s a way to ease the creeping, pervasive loneliness that the undead feel.<br />

Of course, it doesn’t take long for most Kindred to realize that there is no true comfort<br />

to be found among their own kind — only usurpers, tyrants, rivals and spies. Alliances are<br />

momentary, but grudges span centuries. Elders hunt the blood of the young for their own<br />

survival, but they also fear the prey they feed on, since the thirst for power leads many young<br />

Kindred to hunt the eldest for the might of their Vitae. For as much as young vampires style<br />

themselves so, vampires can never be wolves in a pack; they are sharks swimming alone in<br />

an endless sea of night. <strong>The</strong>y lend their fi delity to one group or another, but most vampires<br />

realize they can only truly rely on themselves. Experienced Kindred know that even trusted<br />

coterie members might betray them to win a position of power and favor in the domain, and<br />

the savagery of the Beast can turn ordinary disputes into savage, bloody confl icts.<br />

As vicious as it sounds, however, most vampires cling to the perverse society of the Danse<br />

Macabre with unnatural ferocity. As horrifying as it is, the only alternative is the utter loneliness<br />

they ran away from upon the Embrace. At least among their own kind they can fi nd some<br />

measure of power and social acceptance, as tenuous and transient as it is. Playing the petty games<br />

of the Danse Macabre provides some diversion from the endless nights stretching out ahead<br />

of them. <strong>The</strong>refore, all but a rare handful of vampires eventually accept their disconnection<br />

from the social herd and comfort themselves with only their alien kind for company.<br />

338<br />

mind’s chapter eye four: theatre: storytelling requiem

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