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Mind's Eye Theatre - Vampire The Requiem.pdf - RoseRed

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don’t happen, but rather that those positions are either embattled or held by Kindred with<br />

such enormous personal power that they can maintain broad tenurial domains.<br />

TERRITORIAL DISPUTE<br />

Trouble arises occasionally between the Prince and his Regents, and more frequently<br />

between Regents themselves. A rare few Regents are so powerful that they can pass laws in<br />

opposition to the Prince’s decrees or at least refuse to enforce the Prince’s decrees. Domains<br />

occasionally overlap, as well, especially when unconventional domains come into confl ict<br />

with geographical ones. For instance, if a crime occurs in a Regent’s neighborhood, is that<br />

her issue or does it fall under the auspices of the Regent of Law Enforcement?<br />

In many of these cases, the only clear winner is the Prince, as the resources that rival Regents<br />

devote to foiling each other take their attention from him. Indeed, if things turn ugly<br />

and one of the Regents ends up meeting Final Death, that leaves a potential position open<br />

for another Kindred’s reward.<br />

As might be expected, confl ict over tenurial domains is common. It rarely escalates beyond<br />

the boundaries of grudges and vendettas, but such feuds can be bitter and long-lived, as with<br />

any interaction between Kindred. Indeed, some cities have been plunged into veritable civil<br />

war over domain disputes, but most savvy Princes know to step in and reevaluate their Regents<br />

before things become so dire.<br />

SOCIETY HIGH AND LOW<br />

While many of the Kindred’s actions seem to be politically oriented, that’s certainly not<br />

the full extent of their interactions with each other. Indeed, the bulk of Kindred interactions<br />

occur in social venues, but as is the case with such relationships, the outcomes are not so<br />

rigidly defi ned. <strong>The</strong> Kindred power structure is formalized. <strong>The</strong> Kindred social structure has<br />

many more facets that can’t possibly be explained in a single book.<br />

Kindred <strong>Requiem</strong>s are curious things. As noted before, vampires are solitary predators,<br />

yet they crave the social contact that keeps their deathless loneliness at bay. Every Kindred<br />

has some reason or another to attend social functions. For the Daeva, the sensuality of such<br />

contact is fi rst and foremost. <strong>The</strong> Ventrue enjoy opportunities to display their grandeur and<br />

munifi cence. <strong>The</strong> Gangrel certainly enjoy cutting loose under the right circumstances. And<br />

even the Mekhet and Nosferatu need to emerge from the shadows and forget that they’re<br />

monsters, if only for a short time.<br />

<strong>The</strong> following are just a few examples of the many ways in which Kindred gather and meet<br />

without the formalities of domain politics imposing themselves. Of course, what happens in<br />

these venues can certainly affect politics (and only the most naïve Kindred think such things<br />

happen only rarely), but at least those politics aren’t the order of the night in every exchange<br />

between Kindred.<br />

Nightlife: <strong>The</strong> Damned are no strangers to the dance clubs, bars, lounges, pool halls and<br />

numerous other places where mortals go to enjoy themselves. For most Kindred, visiting such<br />

places serves two purposes. It allows them to seek prey who are comfortable in their own<br />

element, and it allows that longed-for contact with someone other than themselves.<br />

Cultural Events: To be sure, any time an art gallery shows an exhibit, an opera or ballet is<br />

staged, a museum hosts a ceremony, or any other affair that represents the uniqueness of the<br />

human condition takes place, the Kindred are there, drinking in its magnifi cence and making<br />

their own known. <strong>The</strong>se needn’t even be high-society affairs, as art shows can take place in<br />

starving artists’ bohemian galleries, and not every play is a Broadway production.<br />

Parties: What better way to forget the pain of Damnation than to celebrate something<br />

— anything — else. From lavish soirees hosted in grand hotel ballrooms or private mansions to<br />

36<br />

chapter one: society of the damned

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