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Mind's Eye Theatre - Vampire The Requiem.pdf - RoseRed

Mind's Eye Theatre - Vampire The Requiem.pdf - RoseRed

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like. Among these, many wear heavy makeup to accentuate the deathly pallor that their lack<br />

of blood produces.<br />

Quick Costume: Black clothes (Goth optional), fake blood on hands.<br />

Storytelling Hints: Although they represent great boons to vampires who are in dire straits<br />

for sustenance, few vampires truly like to hang around blood dolls. Most don’t like the notion of<br />

consorting with their food too closely, while others fi nd blood dolls whiny and effete. Not surprising,<br />

given that many dolls are addicted to the feeling they receive from the Kiss. Many also become<br />

codependent, feeling that they share a bond with “their” vampires, at which the Kindred usually<br />

sneer. And yet, a vampire who drinks from the same vessel frequently might genuinely have an<br />

affection for her — or the vessel might be part of a certain vampire’s preferred feeding stock. Given<br />

that many vampires hide their blood-drinking activities with acts of passion, some degree of “pillow<br />

talk” occasionally happens, and another Kindred’s secrets might not be as safe as he thinks, even<br />

if the one who holds the secrets doesn’t know that her paramour is a vampire.<br />

Abilities:<br />

Expression (test pool 6) — Many blood dolls come from performing arts backgrounds, or<br />

are otherwise “creative types” with whom the Kindred can stoke their feelings of vitality.<br />

Occult (test pool 4) — Some blood dolls dabble in “black magic,” pagan faiths or other<br />

sources of eldritch lore, often bunkum, but occasionally valid.<br />

Socialize (test pool 5) — Blood dolls are often well read, very experienced or have specialized<br />

knowledge that makes for good conversation. Many of the subcultures from which blood<br />

dolls hail have Byzantine social structures and pecking orders not unlike the Kindred’s own,<br />

giving them an edge, or at least a bit of practical understanding.<br />

DOTING THRALL (GHOUL)<br />

Quote: “Whatever you want, my love… whatever you want.”<br />

Background: <strong>The</strong> Vinculum wreaks havoc on those subjected to it. In the case of ghouls,<br />

they have little choice, given that they rely on the same domitor to provide them with Vitae.<br />

<strong>The</strong>y don’t know that their love is artifi cial — and even if they do, many don’t care. Doting<br />

thralls are almost like lapdogs to a master, hanging on his every word and doing their best<br />

to please him in the weird, codependent, surrogate-sexuality submission fantasies their lives<br />

have become. Still, their love has limits. <strong>The</strong> doting thrall is presented as a non-combatant<br />

because, even though her love for her regnant is extreme, she won’t throw herself at impossible<br />

odds if she believes she can run away and help her master from afar. Master doesn’t want her<br />

dead, after all. He wants her… he needs her alive.<br />

Description: Thralls come from all walks of life, but almost all have weak wills (the better<br />

to be suborned by the Kindred). More than anything else, a doting thrall’s appearance<br />

suits her purpose. A perverted domitor who simply wants a ghoul to provide sustenance<br />

might make a thrall of a kidnapper. A refi ned Ventrue who uses his thrall as an aide and<br />

chamberlain might deck his ghoul in tailored suits. A thrall can appear as anything or<br />

anyone, and often does.<br />

Quick Costume: Similar clothing to their domitors, but slightly faded or worn.<br />

Storytelling Hints: As might be expected, many ghouls know more than their share of<br />

secrets regarding their domitors. In fact, many Kindred regard their ghouls affectionately and<br />

possibly even lovingly. As such, thralls make for excellent moles (almost always unwittingly)<br />

or hostages.<br />

Abilities:<br />

Investigation (test pool 5) — Ghouls seek to look out for their masters and protect them<br />

from harm.<br />

350<br />

mind’s chapter eye four: theatre: storytelling requiem

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