CADERNO DE RESUMOS II Congresso Internacional da ... - Unesp

Programação & Caderno de ResumosChave: Kate Chopin, The Story of an Hour, The Awakening, morte,castigo, epifania.Comunicações Coordenadas VIII - Literaturas de LínguainglesaComponentes da sessãoCoordenadora: Solange Ribeiro de Oliveira (UFMG)Intermediality as reincarnation: fluidity and resistance inthe writing and adaptation of Atonement, a novelby Ian McEwan and a film by Joe WrightBrunilda Tempel Reichmann (UNIANDRADE)This abstract is a summary of one of the papers of a Panelpresentation which deals with Studies of Intermediality, organizedby Professor Solange Ribeiro de Oliveira. The paper has a twofoldpurpose: (1) to discuss the lexicon about intermediality,narrative diegetics and narrative mediatics, used by AndréGaudreault and Philippe Marion in the article “Transécriture andNarrative Mediatics”, translated from the French by Robert Stamand published in the book A Companion to Literature and Filmin 2004; and (2) to apply some concepts used by the two Frenchauthors, some taken from physics, such as: “the power of inertia”,“the force of gravity” and “the force of attraction”; one takenfrom chemistry – “reaction” as a “secretion from the medium”,besides some terms taken from mysticism, such as “materialization”and “incarnation” as a process of intermediality, to the adaptationof Atonement, a novel by Ian McEwan (2001) and a film by JoeWright (2007). Underlying this study we also deal with UmbertoEco’s concept of the reader’s cultural and historical lexicon,considering that the personal drama lived by the major characters(Briony Tallis [played by three different actresses, at differentages]; Cecilia Tallis [Keira Knightley], and Robbie Turner [JamesMcAvoy]) develops having the Second World War as the background.144