CADERNO DE RESUMOS II Congresso Internacional da ... - Unesp

Programação & Caderno de Resumossofisticados em contraponto ao americano ingênuo e inocente.Os tons de James se destacam na exposição da vida européiaparisiense em contraposição ao mundo americano e também naalternância entre diálogo dramático e descrições pictórias. Suagenialidade recai, igualmente, sobre a investigação do remorso,da reflexão, do arrependimento, da juventude, do belo. Dessaforma, tendo em vista que Henry James foi o principal contribuidorpara o estabelecimento do romance psicológico moderno,pretendemos investigar de que forma os espaços criados na obrasão itens significativos no desenrolar de The Ambassadors.Irish Cinema: National Identity And CultureNoélia Borges de Araújo (UFBA)Within the last decades Irish cinema has emerged as a dynamicglobal phenomenon expressing a culture focused on the islandof Ireland by exploring aspects of history, culture and identity,which include not only the deepest wounds of the ‘Troubles’ butalso the questions of Irishness and the Old country with alltheir faults and virtues. Thus, Irish cinema has clearly grownand produced some distinctive works that fashion images of thenation, particularly the ones that address the traumas of thepast as well as the way they have contributed to the ‘winningof the peace’, embracing contemporary ideological anxieties. Insupporting Irish cinema investigation, it has been an ambitionto encourage original research and approaches to the study andanalysis of Irish films in our academic contexts in Brazil. Thework that is presented here may be seen to fall into these categories.It involves the translation of two articles written by two differentresearchers on Irish film: Martin McLoone’s “Nationalism, PopularCulture and the Cinema in Ireland” in Irish Film (2000) and LukeGibbons ‘Projecting the nation: cinema and culture’ in ModernIrish Culture, edited by Joe Cleary and Claire Connoly (2005).Taking into account that the attraction to Irish Cinema in Brazilis relatively incipient in comparison with Hollywood or Europeancinemas, the ambition to chart the resources used by Irish criticsand theoreticians concerning the representation of the Irish onscreen seems to be relevant.292