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Apple MainStage 3 Instruments - MainStage 3 Instruments

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EVOC 20 PolySynth analysis parameters<br />

The parameters in the Sidechain Analysis section control how EVOC 20 PolySynth analyzes<br />

and uses the input signal. Be precise with these parameters to attain the best possible speech<br />

intelligibility and the most accurate tracking.<br />

Sidechain analysis parameters<br />

••<br />

Attack knob: Rotate to determine how quickly each envelope follower—coupled to each<br />

analysis filter band—reacts to rising signal levels. Longer attack times result in a slower<br />

tracking response to transients—level spikes—of the analysis input signal. A long attack time<br />

on percussive input signals—a spoken word or hi-hat part, for example—will translate into<br />

a less articulated vocoder effect. Set the Attack parameter to the lowest possible value to<br />

enhance articulation.<br />

••<br />

Release knob: Rotate to determine how quickly each envelope follower—coupled to each<br />

analysis filter band—reacts to falling signal levels. Longer release times cause the analysis<br />

input signal transients to sustain for a longer period at the vocoder’s output. A long release<br />

time on percussive input signals—a spoken word or hi-hat part, for example—will translate<br />

into a less articulated vocoder effect. Use of extremely short release times results in rough,<br />

grainy vocoder sounds. Release values of around 8 to 10 milliseconds are useful starting points.<br />

••<br />

Freeze button: Turn on to hold—or freeze—the current analysis sound spectrum indefinitely.<br />

When Freeze is enabled, the analysis filter bank ignores the input source, and the Attack and<br />

Release knobs have no effect.<br />

••<br />

Bands field: Drag to set the number—up to 20—of frequency bands used by the filter banks.<br />

Freeze the input signal<br />

Freezing the input signal lets you capture a particular characteristic of the signal, which is then<br />

imposed as a complex sustained filter shape on the Synthesis section. Here are some examples<br />

of when this could be useful:<br />

••<br />

If you are using a spoken word pattern as a source, the Freeze button could capture the attack<br />

or tail phase of an individual word within the pattern—the vowel a, for example.<br />

••<br />

People cannot sustain sung notes indefinitely. To compensate for this human limitation,<br />

use the Freeze button. If the synthesis signal needs to be sustained but the analysis source<br />

signal—a vocal part—is not sustained, use the Freeze button to lock the current formant<br />

levels of a sung note, even during gaps in the vocal part, between words in a vocal phrase. The<br />

Freeze parameter can be automated, which may be useful in this situation.<br />

mm<br />

Click the Freeze button to hold, or sustain, the sound spectrum of the analysis input signal.<br />

Chapter 8 EVOC 20 PolySynth 140

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