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Apple MainStage 3 Instruments - MainStage 3 Instruments

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Retro Synth modulation controls<br />

Use Retro Synth modulation<br />

Retro Synth’s Glide/Autobend, LFOs, and envelopes are known as modulation generators. These<br />

modulation sources are used to control modulation targets, such as oscillator pitch or filter cutoff.<br />

The Volume Envelope is dedicated to control of your sound’s level over time. The Filter Envelope<br />

controls the filter over time. See Retro Synth envelopes.<br />

Retro Synth’s LFO is used as a source for multiple modulation targets. The Vibrato modulation<br />

source is dedicated to control of oscillator pitch. See Retro Synth LFO and Vibrato.<br />

Glide—also known as portamento—and Autobend are hardwired to control oscillator pitch. See<br />

Retro Synth Glide and Autobend.<br />

You should make use of all modulation options because they can help you to create<br />

expressive performances.<br />

If you’re new to synthesizers and the concepts behind modulation generators, such as LFOs and<br />

envelopes, see Synthesizer basics overview.<br />

LFO<br />

Filter envelope<br />

Volume envelope<br />

Autobend<br />

Click to switch between<br />

modulation and<br />

global/controller parameters.<br />

Modulate the oscillator waveform<br />

The Analog, Sync, and Wavetable oscillator waveform shapes can be modulated by following<br />

these steps. In the FM synth engine, you can modulate the FM or Harmonic amount (or both).<br />

1 Move the control toward LFO or Filter Env. Positions further away from the centered (off) position<br />

make waveform modulation more intense.<br />

2 Adjust the controls of the LFO (click the LFO tab if the Vibrato is visible) and Filter Env sections.<br />

See Retro Synth LFO and Vibrato and Retro Synth envelopes.<br />

3 If you are using the LFO, select a waveform.<br />

4 If the (LFO) Sync switch is turned off:<br />

••<br />

Adjust the Via Amount slider to the right of the waveform graphic to set the maximum<br />

modulation intensity (the highest LFO speed).<br />

••<br />

Move your MIDI keyboard’s modulation wheel to change the LFO speed. If you don’t want<br />

to use your keyboard’s modulation wheel, click the Via pop-up menu to assign a different<br />

MIDI controller.<br />

5 If you are using the Filter Envelope, drag the handles to set the attack, decay, sustain, and release<br />

values. Drag the Velocity slider to set the maximum amount of envelope modulation by velocity.<br />

Chapter 12 Retro Synth 232

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