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Apple MainStage 3 Instruments - MainStage 3 Instruments

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ES1 modulation<br />

ES1 modulation parameters overview<br />

ES1 offers a number of simple yet flexible modulation routing options. You use modulation to<br />

add animation to your sound over time, making it more interesting, lively, or realistic. A good<br />

example of this type of sonic animation is the vibrato used by orchestral string players.<br />

LFO parameters<br />

Router<br />

Modulation Envelope<br />

Modulation parameters<br />

••<br />

LFO parameters: Used to modulate other ES1 parameters. See Use the ES1 LFO on page 31.<br />

••<br />

Router: Enables you to choose the ES1 parameters that are modulated. See Use the ES1<br />

router on page 30.<br />

••<br />

Modulation Envelope: A dedicated modulation control source that can be used to control<br />

various ES1 parameters, or it can be used to control the LFO level. See Use the ES1 modulation<br />

envelope on page 32.<br />

Use the ES1 router<br />

The router determines the ES1 parameters (targets) that are modulated by the LFO and by the<br />

modulation envelope. The buttons in the left column set the target for LFO modulation. The<br />

buttons in the right column set the target for the modulation envelope.<br />

Parameter target<br />

buttons<br />

Router parameters<br />

••<br />

Pitch buttons: Click to modulate the pitch—the frequency—of the oscillators.<br />

••<br />

Pulse Width buttons: Click to modulate the pulse width of the pulse wave.<br />

••<br />

Mix buttons: Click to modulate the mix between the primary oscillator and the sub-oscillator.<br />

••<br />

Cutoff buttons: Click to modulate the cutoff frequency of the filter.<br />

••<br />

Resonance buttons: Click to modulate the resonance of the filter.<br />

••<br />

Volume buttons: Click to modulate the main volume.<br />

••<br />

Filter FM button (modulation envelope only): Click to use the triangle wave of the oscillator<br />

to modulate filter cutoff frequency. This modulation can result in a pseudo-distortion of the<br />

sound, or it can create metallic, FM-style sounds. The latter occurs when the only signal you<br />

can hear is the self-oscillation of the resonating filter (see Drive the ES1 filter to self-oscillate on<br />

page 26).<br />

••<br />

LFO Amp (modulation envelope only): Click to modulate the overall amount of LFO modulation.<br />

Chapter 2 ES1 30

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