Apple MainStage 3 Instruments - MainStage 3 Instruments
Apple MainStage 3 Instruments - MainStage 3 Instruments
Apple MainStage 3 Instruments - MainStage 3 Instruments
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Refine the basic bass sound<br />
This section covers programming of a basic bass sound, which will serve as the foundation<br />
for the different bass sounds you will create. See Program a picked bass sound with Sculpture,<br />
Program a slap bass sound with Sculpture, and Program a fretless bass sound with Sculpture.<br />
Sequentially follow the tasks in this section after reading Program a basic bass sound with<br />
Sculpture to learn how different components can be modeled and to gain a fuller understanding<br />
of how Sculpture parameters interact.<br />
Use the Resolution parameter to control the timbre, independent of pitch<br />
The Resolution parameter is normally used to set the balance between DSP load and sound<br />
quality. It can, however, also be used to shape the sound.<br />
1 Play some notes at the higher end of the bass’s range (around C2), then drag the Resolution<br />
slider all the way to the right and then gradually back toward the left.<br />
You can hear how the sound loses overtones yet simultaneously becomes louder. At low<br />
Resolution values, an inharmonic metallic rattling is heard in the sound.<br />
2 Increase the Resolution value until the metallic rattling disappears. Set the slider to the following<br />
position:<br />
3 Play some notes in the bottom range (around E 0). You’ll note that the sound is quite muffled<br />
and vintage-like. Move the green Low Keyscale slider (found below the main Resolution slider) all<br />
the way to the right; the low range should now sound a little more wiry.<br />
With most stringed instruments, the overtone content decreases as the pitch becomes higher.<br />
Strictly speaking, this is true only of open strings, and even then in a limited sense. If the strings<br />
are fingered, the length of the string is shortened, especially in the high register, and the effect<br />
becomes more significant.<br />
Chapter 13 Sculpture 311