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Apple MainStage 3 Instruments - MainStage 3 Instruments

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EVOC 20 PolySynth modulation parameters<br />

The Modulation section contains two LFOs that can either run freely or be synchronized with the<br />

host application tempo.<br />

••<br />

The Pitch LFO controls pitch modulation of the oscillators, enabling you to produce<br />

vibrato effects.<br />

••<br />

The Shift LFO controls the Formant Shift parameter of the synthesis filter bank, enabling you<br />

to produce dynamic phasing-like effects.<br />

Modulation parameters<br />

••<br />

Int via Whl slider: Drag to set the intensity of LFO pitch modulation. The right half of the slider<br />

determines the intensity when the modulation wheel is set to its maximum value; the left<br />

half determines the intensity when the wheel is set to its minimum value. By dragging the<br />

area between the two slider segments, you can simultaneously move both. This parameter<br />

is permanently assigned to the modulation wheel of your MIDI keyboard, or corresponding<br />

MIDI data.<br />

••<br />

Rate knobs: Rotate to set the speed of modulation. Values to the left (of the centered position)<br />

are synchronized with the host application tempo. These include bar values, triplet values, and<br />

so on. Values to the right (of the centered position) are nonsynchronized, and are displayed in<br />

Hertz—cycles per second.<br />

Note: The ability to use synchronous bar values could be used to perform a formant shift<br />

every four bars on a cycled one-bar percussion part, for example. Alternatively, you could<br />

perform the same formant shift on every eighth-note triplet within the same part. Either<br />

method can generate interesting results and lead to new ideas, or add life to existing<br />

audio material.<br />

••<br />

Waveform buttons: Click to set the waveform type used by the Pitch LFO (left column) or the<br />

Shift LFO (right column). You can choose from the following waveforms for each LFO:<br />

••<br />

Triangle<br />

••<br />

Falling and rising sawtooth<br />

••<br />

Square up and down around zero (bipolar, good for trills)<br />

••<br />

Square up from zero (unipolar, good for changing between two definable pitches)<br />

••<br />

Random stepped waveform (S & H)<br />

••<br />

Smoothed random waveform<br />

••<br />

Intensity slider: Drag to define the amount of formant shift modulation by the Shift LFO.<br />

Chapter 8 EVOC 20 PolySynth 151

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