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Apple MainStage 3 Instruments - MainStage 3 Instruments

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ES2 modulation source reference<br />

The following modulation sources are available:<br />

Source<br />

LFO1<br />

LFO2<br />

ENV1<br />

ENV2<br />

ENV3<br />

Pad-X, Pad-Y<br />

Max<br />

Kybd<br />

Velo<br />

Bender<br />

ModWhl<br />

Touch<br />

Whl+To<br />

MIDI Controllers A-F<br />

Comment<br />

LFO 1 is used as a source.<br />

LFO 2 is used as a source.<br />

Envelope Generator 1 is used as a source.<br />

Envelope Generator 2 is used as a source.<br />

Envelope Generator 3 is used as a source. Envelope<br />

Generator 3 always controls the level of the overall<br />

sound.<br />

Define the axes of the Planar Pad as modulation<br />

sources for the selected modulation target. See<br />

Use the Planar Pad on page 77 and Use the Vector<br />

Envelope on page 70.<br />

Max sets the value of this source to +1. This offers<br />

interesting options for controlling the modulation<br />

intensity with all possible via values.<br />

Kybd (Keyboard) outputs the keyboard position (the<br />

MIDI note number). The center point is C3 (an output<br />

value of 0). Five octaves below and above, an output<br />

value of −1 or +1, respectively, is sent. Modulate the<br />

Cut 1+2 target with the Kybd source to control the<br />

cutoff frequencies of the filters with the keyboard<br />

position—as you play up and down the keyboard,<br />

the cutoff frequencies change. A modulation intensity<br />

of 0.5 proportionately scales cutoff frequencies with<br />

keyboard note pitches.<br />

Velocity sensitivity serves as a modulation source.<br />

The pitch bend wheel serves as a bipolar modulation<br />

source. This is also true when the Bend Range<br />

parameter of the oscillators is set to 0.<br />

The modulation wheel serves as a modulation source.<br />

For most standard applications, you’ll probably use<br />

the wheel as the via controller. Traditionally, it is used<br />

to control the intensity of periodic LFO modulations.<br />

Used here, it can be employed for direct, static<br />

modulations, such as controlling both filter cutoff<br />

frequencies (Target = Cut 1+2).<br />

Aftertouch serves as a modulation source. ES2 reacts<br />

to poly pressure (polyphonic aftertouch). If you set<br />

the Target to Cut 1+2, the cutoff frequencies rise and<br />

fall, depending on how firmly you press a key on<br />

your touch-sensitive MIDI keyboard—after the initial<br />

keystrike.<br />

Both the modulation wheel and aftertouch serve as<br />

modulation sources.<br />

MIDI controllers available in the router are named<br />

Ctrl A–F and can be assigned to arbitrary controller<br />

numbers. See ES2 macro and controller assignment<br />

overview on page 90.<br />

Chapter 3 ES2 84

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