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Apple MainStage 3 Instruments - MainStage 3 Instruments

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Vintage B3 Organ Model controls<br />

The Organ Model controls change the basic tonal quality.<br />

Organ Model parameters<br />

••<br />

Maximum Wheels slider: Drag to set the number of tonewheels that are emulated. Reduce<br />

the value to minimize the computer processing load. Reducing the value diminishes some<br />

overtones, so keep the number high if you’re after an ultrarealistic simulation.<br />

••<br />

Tonal Balance slider: Drag to change the mix relationship of the higher and lower tonewheels.<br />

Use positive values to achieve a lighter and brighter sound. Experiment with different tonal<br />

balance and equalizer settings. See Vintage B3 EQ on page 414, for further information.<br />

••<br />

Lower Manual Volume slider: Drag to set relative levels between the upper and lower manuals<br />

(and pedalboard).<br />

••<br />

Pedals Volume slider: Drag to set relative levels between the upper (and lower) manual and<br />

the pedalboard.<br />

••<br />

Shape slider: Drag to alter the waveforms of the tonewheel generator, allowing you to produce<br />

sounds that resemble the tones of Farfisa, Solina, or Yamaha organs. The Hammond’s tone<br />

generators produce pure sine waves (albeit with a few artifacts), whereas some other organs<br />

deliver distorted waveforms. The Shape parameter is placed after the filters that follow the<br />

sine generators.<br />

••<br />

Move the Shape slider to the right to make the tone brighter (and louder).<br />

••<br />

Move the Shape slider to the left to make the tone duller (and softer).<br />

••<br />

Bass Filter slider: The tone of the pedal draw bars can sound bright, within the context of the<br />

combined upper/lower/pedal sound. Adjust to circumvent this issue, and to suppress the<br />

treble of the bass register. At the maximum position you will only hear a solid bass organ<br />

fundamental in the bass register.<br />

••<br />

Ultrabass switch: Turn on to add another low octave to the playable range of both the upper<br />

and lower manuals.These additional low octaves, and the ability to independently transpose<br />

both manuals (see Transpose keyboard zones by octaves on page 402), are not available on<br />

the original B3.<br />

Chapter 15 Vintage B3 421

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