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Apple MainStage 3 Instruments - MainStage 3 Instruments

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ES2 integrated effects processor<br />

ES2 is equipped with an integrated effects processor. Any changes to the parameters of these<br />

effects are saved with each sound setting.<br />

Click to choose a hard<br />

or soft type of Distortion<br />

effect.<br />

Use the Tone parameter<br />

to alter the tonal color of<br />

the Distortion effect.<br />

Adjust to set the level of<br />

Distortion.<br />

Click to choose Chorus,<br />

Flanger, or Phaser effect.<br />

Intensity and Speed<br />

parameters are shared<br />

by the Chorus, Flanger,<br />

and Phaser effects.<br />

You can activate only two effects at the same time.<br />

••<br />

Distortion<br />

••<br />

Choose the Chorus, the Flanger, or the Phaser effect. These effects share the same control<br />

knobs—Intensity and Speed.<br />

A chorus effect is based on a delay line, the output of which is mixed with the original,<br />

dry signal. The short delay time is modulated periodically, resulting in pitch deviations.<br />

The modulated deviations, in conjunction with the original signal’s pitch, produce the<br />

chorus effect.<br />

A flanger works in a similar fashion to a chorus, but with even shorter delay times. The<br />

output signal is fed back into the input of the delay line. This feedback results in the creation<br />

of harmonic resonances that wander cyclically through the spectrum, giving the signal a<br />

“metallic” sound.<br />

A phaser mixes a delayed and an original signal. The delayed element is derived from an<br />

allpass filter, which applies a frequency-dependent delay to the signal. This is expressed as<br />

a phase angle. The effect is based on a comb filter, which is basically an array of inharmonic<br />

notches—rather than resonances, as with the flanger—that also wanders through the<br />

frequency spectrum.<br />

Chapter 3 ES2 88

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