Apple MainStage 3 Instruments - MainStage 3 Instruments
Apple MainStage 3 Instruments - MainStage 3 Instruments
Apple MainStage 3 Instruments - MainStage 3 Instruments
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ES2 integrated effects processor<br />
ES2 is equipped with an integrated effects processor. Any changes to the parameters of these<br />
effects are saved with each sound setting.<br />
Click to choose a hard<br />
or soft type of Distortion<br />
effect.<br />
Use the Tone parameter<br />
to alter the tonal color of<br />
the Distortion effect.<br />
Adjust to set the level of<br />
Distortion.<br />
Click to choose Chorus,<br />
Flanger, or Phaser effect.<br />
Intensity and Speed<br />
parameters are shared<br />
by the Chorus, Flanger,<br />
and Phaser effects.<br />
You can activate only two effects at the same time.<br />
••<br />
Distortion<br />
••<br />
Choose the Chorus, the Flanger, or the Phaser effect. These effects share the same control<br />
knobs—Intensity and Speed.<br />
A chorus effect is based on a delay line, the output of which is mixed with the original,<br />
dry signal. The short delay time is modulated periodically, resulting in pitch deviations.<br />
The modulated deviations, in conjunction with the original signal’s pitch, produce the<br />
chorus effect.<br />
A flanger works in a similar fashion to a chorus, but with even shorter delay times. The<br />
output signal is fed back into the input of the delay line. This feedback results in the creation<br />
of harmonic resonances that wander cyclically through the spectrum, giving the signal a<br />
“metallic” sound.<br />
A phaser mixes a delayed and an original signal. The delayed element is derived from an<br />
allpass filter, which applies a frequency-dependent delay to the signal. This is expressed as<br />
a phase angle. The effect is based on a comb filter, which is basically an array of inharmonic<br />
notches—rather than resonances, as with the flanger—that also wanders through the<br />
frequency spectrum.<br />
Chapter 3 ES2 88