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Apple MainStage 3 Instruments - MainStage 3 Instruments

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The square wave can be reshaped to make the waveform cycles, or pulses, more rectangular,<br />

by using a pulse width modulation (PWM) control. The more rectangular the wave becomes,<br />

the more nasal it sounds. When modulated in this way, the square wave is known as a pulse<br />

wave, and contains fewer harmonics. It can be used for reeds, basses, and brass sounds.<br />

••<br />

Triangle wave: A triangle wave contains only odd harmonics, as well as the fundamental tone.<br />

The triangle wave’s higher harmonics roll off faster than those of a square wave, making the<br />

triangle wave sound softer. It is ideal for creating flute sounds, pads, and vocal “oohs.”<br />

••<br />

Noise: white, pink and red, blue: Noise is useful for emulating percussive sounds, such as snare<br />

drums, or wind and surf sounds. There are more noise wave colors than those listed, but they<br />

are rarely found in synthesizers.<br />

••<br />

White noise: The most common noise waveform found on synthesizers. White noise contains<br />

all frequencies—at full level—around a center frequency.<br />

• • Pink and red noise: These noise colors also contain all frequencies, but they are not at full<br />

level across the frequency spectrum. Pink noise decreases the level of higher frequencies by<br />

3 dB per octave. Red noise decreases the level by 6 dB per octave.<br />

Appendix B Synthesizer Basics 481

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