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Apple MainStage 3 Instruments - MainStage 3 Instruments

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EXS24 mkII modulation reference<br />

EXS24 mkII modulation target reference<br />

The following targets, or destinations, are available in the Dest pop-up menu for<br />

real-time modulation.<br />

Destination<br />

Sample Select<br />

Sample Start<br />

Glide Time<br />

Pitch<br />

Filter Drive<br />

Filter Cutoff<br />

Filter Resonance<br />

Volume<br />

Comments<br />

Modulates the sample (zone) that is played.<br />

By default, Sample Select is controlled by velocity—<br />

through the default Velocity to Sample Select<br />

modulation routing. This means that the received<br />

note velocity value determines which of the layered<br />

zones (in different velocity ranges) is heard as you<br />

play the keyboard softer or harder.<br />

You aren’t limited to using velocity, however, to<br />

determine which sample is played. You could assign<br />

the modulation wheel source to the Sample Select<br />

destination, or use both velocity and the modulation<br />

wheel.<br />

If you choose a continuous controller such as<br />

the modulation wheel, you can step through the<br />

velocity layers during playback. If you do this, use<br />

the crossfade (Xfade) parameters to create smooth<br />

transitions between velocity split points.<br />

When you use multiple modulation sources, be<br />

aware that these can cause all velocity layers to run<br />

simultaneously—using up as many voices as there are<br />

layered zones. The CPU usage increases accordingly.<br />

Modulates the sample start time. This allows you to<br />

trigger a drum loop partway through, for example.<br />

Modulates the duration of the Glide (portamento)<br />

effect. If you modulate Glide, with Velocity selected as<br />

the source, the speed of the keystrike determines the<br />

time it takes for the played notes to reach the target<br />

pitch.<br />

Modulates the frequency (pitch) of the loaded<br />

sampler instrument. If you select an LFO as the source,<br />

this destination leads to siren or vibrato sounds.<br />

Select one of the envelope generators with 0 attack,<br />

short decay, 0 sustain, and short release as the source<br />

for tom and kick drum sounds. Slight envelope<br />

modulations can make the amount of detuning<br />

change over time, which can be particularly useful for<br />

brass sounds.<br />

Modulates the filter Drive parameter.<br />

Modulates the Cutoff Frequency parameter. See EXS24<br />

mkII filter overview on page 176.<br />

Modulates the Resonance parameter of the filter.<br />

Controls the main output level of EXS24 mkII.<br />

Chapter 9 EXS24 mkII 188

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