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Ravalier PhD Theis.pdf - Anglia Ruskin Research Online

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in previous phases, as well as the sorting of themes into two levels of analysis. The first of these is where the<br />

extracts accompanying a set of themes are read to ensure that they form a coherent pattern. If the theme itself is<br />

an issue then it can be re-worked, or if the extract used is an issue then a new theme is found for it. Once<br />

agreement on this level of processing is reached the second level considers whether the existing themes<br />

accurately and validly reflect the data set as a whole. This also allows for the coding of any additional themes<br />

which may have been missed in previous attempts.<br />

The fifth stage, defining and naming themes, is where the 'essence' of each theme is laid out and a detailed<br />

written analysis of the meaning of each is made. In this stage the researcher must present the story of each<br />

individual theme, but also how each fits into the overall story of the data set and whether any of the themes have<br />

sub-themes which need to be explored too. The sixth and final stage is producing a report, where the complicated<br />

story of the data is exhibited and explained to the reader.<br />

Table 7: how the presented study followed each of the six suggested steps for thematic analysis (Braun & Clarke, 2006).<br />

Phase<br />

Description of the Process in Presented <strong>Research</strong><br />

1 Familiarise<br />

yourself with<br />

the data<br />

Data was transcribed verbatim within 3 days of each interview to ensure<br />

closeness. Transcripts were read three times each to gain further<br />

closeness and initial ideas from the data noted in NVivo.<br />

2 Generating<br />

initial codes<br />

3 Searching for<br />

themes<br />

The presented study involved a data-driven analytical approach, in which<br />

the data analysis was driven by the questions asked of participants. The<br />

work was coded systematically, sentence-by-sentence, in order to<br />

generate initial codes.<br />

Themes were sought by bringing together all of the notes from previous<br />

phases as well as the codes from the second phase. Predominant and

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