ALMA MATER STUDIORUM - UNIVERSITÀ DI BOLOGNA ... - agregat

Recommendations

Info

Venuti, L. (edited by) (1992) Rethinking translation: discourse, subjectivity, ideology, London, Routledge. -------- (1995): “Translation and the formation of cultural identities”, in Cultural functions of translation edited by C. Schaffner and H. Kelly-Holmes, Multilingual matters LTD, pp. 9-26, 32-55. -------- (1995) The translator’s invisibility, London/New York, Routledge. --------.(1998) The scandals of translation: Towards an ethics of Difference, London/New York, Routledge. -------- (edited by) (2000): “Translation, community, utopia”, in The Translation Studies Reader. London, Routledge, pp. 468-488. Viezzi, M. (1992) “The translation of Film subtitles from English into Italian” in The Interpreters’ Newsletter, number 4, Trieste: SSLMIT,84-86. Materiale on line Elenco film festival in Italia http://www.tamtamcinema.it Festival del Cinema Europeo di Lecce, Homemepage. http://www.eurocinefestival.org Sognando Bollywood. La straordinaria avventura del cinema indiano (4-6-2004). http://cinetecadibologna.it Interviste alle agenzie Microcinema, Ombre Elettriche, Underlight, Classic Titles http://subtitleproject.net Fenians, Dizionario di Storia http://pbm.storia.it 238
Petrillo, G.( )La questione irlandese http://www.regnounito.net R. Coles (1980) Ulster Children. Waiting for the prince of peace. http://www.theatlantic.com Storia della Mostra del Cinema di Venezia http://www.mostradelcinemadivenezia.com 239
Page 1 and 2:
ALMA MATER STUDIORUM - UNIVERSITÀ
Page 3 and 4:
Ringraziamenti Per prima cosa, ring
Page 5 and 6:
Indice Indice .....................
Page 7 and 8:
Bibliografia ......................
Page 9 and 10:
Introduzione Quando si parla di cin
Page 11 and 12:
Capitolo I Tradurre il cinema 11 1.
Page 13 and 14:
Capitolo I Tradurre il cinema 13 tr
Page 15 and 16:
Capitolo I Tradurre il cinema 15 gr
Page 17 and 18:
Capitolo I Tradurre il cinema 17 1.
Page 19 and 20:
Capitolo I Tradurre il cinema 19 do
Page 21 and 22:
Capitolo I Tradurre il cinema 21 st
Page 23 and 24:
Capitolo I Tradurre il cinema 23 al
Page 25 and 26:
Capitolo II Politiche traduttive de
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Capitolo III Il festival sottotitol
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Conclusioni 87 Conclusioni Con la p
Page 89 and 90:
Conclusioni 89 esempio. Anche se l
Page 91 and 92:
Conclusioni 91 di tipo accademico,
Page 93 and 94:
parecchi festival in cui gli addett
Page 95 and 96:
Cosa che forse nei primi due anni e
Page 97 and 98:
e quindi anche per i nostri costi
Page 99 and 100:
importantissima in questo lavoro, l
Page 101 and 102:
Genova Film Festival Intervista a A
Page 103 and 104:
Tendenzialmente non faremo un pieno
Page 105 and 106:
gente che poi va a Torino a novembr
Page 107 and 108:
Festival dei Popoli, Firenze Interv
Page 109 and 110:
Io sarei favorevole in linea di pri
Page 111 and 112:
volta per esempio è capitato di tr
Page 113 and 114:
E’ importante tradurre la canzone
Page 115 and 116:
maniera profonda da una produzione
Page 117 and 118:
Assolutamente si, è un pubblico ab
Page 119 and 120:
Per quanto riguarda gli obiettivi d
Page 121 and 122:
Panafricana, Roma Intervista a Cate
Page 123 and 124:
immigrati, e abbiamo avuto qualche
Page 125 and 126:
Un sottotitolo non deve tradurre al
Page 127 and 128:
Indian Film Festival, Firenze Inter
Page 129 and 130:
domenica pomeriggio alle tre, a un
Page 131 and 132:
Il pubblico del vostro festival ha
Page 133 and 134:
L.: Non credo che esiste in natura
Page 135 and 136:
stare attento ai tempi, mentre inve
Page 137 and 138:
Human Rights Nights, Cineteca di Bo
Page 139 and 140:
il discorso cambia, ma è indubbio
Page 141 and 142:
su film si può avere nel 90% dei c
Page 143 and 144:
Microcinema, Perugia Intervista con
Page 145 and 146:
festival che poi mandavano in circu
Page 147 and 148:
poi si dividono per cui c’è una
Page 149 and 150:
questo significa lavorare in condiz
Page 151 and 152:
magari per il festival africano alc
Page 153 and 154:
con due computer, molto più macchi
Page 155 and 156:
comunque Harrison Ford, Al Pacino e
Page 157 and 158:
valutare, stiamo valutando; e così
Page 159 and 160:
Alina: Ne stiamo aspettando uno da
Page 161 and 162:
Ombre Elettriche. Intervista condot
Page 163 and 164:
festival più importanti richiedono
Page 165 and 166:
D: Come nel caso della revisione de
Page 167 and 168:
espressive? D: La punteggiatura seg
Page 169 and 170:
D: C’è una differenza fra i sott
Page 171 and 172:
I've got more, but I've only space
Page 173 and 174:
They wear red because they're Catho
Page 175 and 176:
[10:05:39] No sign of Jackie again.
Page 177 and 178:
well be the other side of the town.
Page 179 and 180:
the school are shared learning - in
Page 181 and 182:
up. It's his job to wind your Gerry
Page 183 and 184:
Siobhan, this isn’t your fault, l
Page 185 and 186:
I'm sorry, love. I’m awful sorry.
Page 187 and 188: Ah, it must be true then. No love,
Page 189 and 190: doesn't it? Then why are you still
Page 191 and 192: cleans your mess? I do my share. Ka
Page 193 and 194: you’se? Move them back. McClure.
Page 195 and 196: something, but closing a school. He
Page 197 and 198: This is your last chance. What do y
Page 199 and 200: keeps everybody happy. Mothers and
Page 201 and 202: informed us the road will be closed
Page 203 and 204: get to classes by going through the
Page 205 and 206: Come on! It’s okay, love. They’
Page 207 and 208: [10:44:52] Karen, you should be fil
Page 209 and 210: Gerry! of losers … doing? … run
Page 211 and 212: girl? Darling, the first day is the
Page 213 and 214: We need everyone out now. Are you c
Page 215 and 216: Excuse me. No! Sorry. Sorry, I have
Page 217 and 218: Look, I wish they’d go away as we
Page 219 and 220: this is. It’s a nightmare. Look,
Page 221 and 222: to Holy Cross Primary. It’s one o
Page 223 and 224: Gerry. Tell Matt you've changed you
Page 225 and 226: nobody listens and nobody cares, an
Page 227 and 228: never happen. face? Tony. What if i
Page 229 and 230: I want Daddy. I want Daddy to come.
Page 231 and 232: Twelve weeks terrorizing our kids,
Page 233 and 234: can only say the opposite. Mummy sa
Page 235 and 236: Bibliografia Aprà, A. (a cura di),
Page 237: Rundle, C. (2001) “The censorship
Page 241 and 242: Abstract The main purpose of this d
Page 243: Resumen El presente trabajo se cent
show all

ALMA MATER STUDIORUM - UNIVERSITÀ DI BOLOGNA ... - agregat

Create successful ePaper yourself

Delete template?

Save as template?