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UVOD U STUDIJE PERFORMANSA - TkH

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Lehmann, Hans-Thies, Postdramatisches Theater, Verlag der Autoren; Frankfurt a/M,<br />

1999 (Postdramsko kazalište, CDU, Zagreb: <strong>TkH</strong>-centar, Beograd, 2004).<br />

Lyotard, Jean’Francoise. “Les Immateriaux” u Thinking about Exhibitions, priredio R.<br />

Greenberg, New York: Ferguson& S. Nairne, 1996, str. 159-175.<br />

Manovič, Lev, Metamediji; izbor tekstova, CSU, Beograd, 2001.<br />

Marranca, Bonnie. »La performance, una storia personale,« u American Performance,<br />

1975-2005, priredila Valentina Valentini, Roma: Bulzoni Editore, 2006, str. 121-141.<br />

Mason, Bim, Street Theatre and Other Outdoor Performance, Routledge, 1992.<br />

Maus, Marsel. “Telesne tehnike” u Sociologija I, Antropologija I, II, Beograd: Biblioteka<br />

20. vek, 1998, str. 361-391.<br />

Medak, Tomislav, »Matrica performansa« – razgovor s Jonom McKenziejem, Frakcija,<br />

br. 26-27, Zagreb, 2002/2003, str. 004-014.<br />

Mejerholjd, V:E: »Glumac budućnosti i biomehanika,« u O pozorištu, priredila i prevela<br />

Ognjenka Milićević, Nolit: Beograd, 1976, str. 167-169.<br />

McKenzie, Jon, Perform Or Else: From Discipline To Performance, Routledge, London-<br />

New York, 2001.<br />

Mijušković, Slobodan. Od samodovoljnosti do smrti slikarstva, Beograd: Geopoetika,<br />

1998.<br />

Milohnić, Aldo, »Performativno kazalište«, Frakcija, br. 5, Zagreb, 1997.<br />

--, »The Body, Theory and Ideology: Discourse of Theatre Anthropology«, FAma, br. 1,<br />

Ljubljana-Zagreb-München, 2001.<br />

Milutinović Bojanić, Sanja i Cixous, Hélène, »Dora je među nama…« (razgovor), <strong>TkH</strong>,<br />

br. 5, Beograd, 2003.<br />

Mimesis, Masochism, & Mime; The Politics of Theatricality in Contemporary French<br />

Thought, Murray, Timothy (ed), The University of Michigan Press, Michigan, 2000.<br />

Morse, Margaret, Virtualities: Television, Media Art, and Cyberculture, Indiana<br />

University Press, Bloomington, 1998.<br />

Mulder, Arjen. »Trancemedia: from Simulation to Emulation,« Mediamatic.net, 1999.<br />

Novak, Jelena, Divlja analiza, SKC, Beograd, 2004.<br />

October – The Second Decade, 1986-1996, Krauss, Rosalind; Michelson, Annette;<br />

Bois, Yve-Alain & dr (eds), The MIT Press, Cambridge Mass, 1997.<br />

Ogrizek, Maja, »Poetic function and performative in theatre« u Along the Margines of<br />

Humanities, Močnik, Rastko & Milohnić, Aldo (eds), ISH, Ljubljana, 1996, str. 219-235.<br />

Osborne, Peter & Segal, Lynne, »Gender as Performance« – An Interview with Judith<br />

Butler, Radical Philosophy, no. 67, Summer 1994.<br />

Ostin, Dž. L, Kako delovati rečima, Matica srpska, Novi Sad, 1994.<br />

Patrice, Pavis. Dictionary of the Theatre; Terms, Concepts, and Analysis, University of<br />

Toronto Press, Toronto-Buffalo, 1998.<br />

__, The Intercultural Performance Reader, London, New York: Routledge, 1996.<br />

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