LAIKU ATÅ ALKAS: Å½URNÄ€LISTIKA, KINO, POLITIKA - Academia

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LAIKU ATŠALKAS: ŽURNĀLISTIKA, KINO, POLITIKAMichael Pilz(Germany), cinematic directorTHE SENSUOUSNESS OF EMPTINESSKeywords: Resources, thinking, intuition, spontaneity, reflexionThe author of this paper has tried to take a verbal approach in dealing with as non-verbal aprocess as creating cinematic productions. This represents a challenge in terms of independentthinking, as well as constant analysis of events, logic and observations. It is an encouragementto live while producing films and to produce films while living, because as far as the author isconcerned, people in the world of the arts, and particularly in the cinematic arts, do not find thesubject or object to be important. They do not ask “what?”, they ask “how?” This latter questionis of interest to the author from the theoretical and the practical perspective. The originalorthography and punctuation of the author have been preserved in the paper.221
LAIKU ATŠALKAS: ŽURNĀLISTIKA, KINO, POLITIKAVitaly Mansky(Russia), cinematic directorNEWS FROM A SAD DAYKeywords: Russian TV, documentary television films, formatThe author of this paper expresses his concern about the popularity of documentary films onRussia’s federal television channels – films which are of a high level of quality, but are onlymeant for “one-off use.” The author calls them “format” films which are not seeking to be artisticmasterpieces, but he adds that this harms the related, but higher-level genre of documentary cinema.Directors are choosing to produce feature films or format-type documentaries for television.The true documentary cinema is threatened with extinction, the author writes. In this televisiongame, emotions lose ground in relation to information. Manskiy wrote this paper in 2008.222
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LAIKU ATÅ ALKAS: Å½URNÄ€LISTIKA, KINO, POLITIKA - Academia

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