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Diálogo e Comunicação Intercultural. A Educação com as - Inicio ...

Diálogo e Comunicação Intercultural. A Educação com as - Inicio ...

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Mark Deuze considers that, nowadays, the main question is:<br />

“what level of participation should be included in the narrative<br />

experience” (Id., 2005)? The Video archives that are available<br />

on-line – like Youtube - mean that the: “public is getting<br />

involved” (B<strong>as</strong>tos, 2005). Jay Black defines this reality <strong>as</strong>:<br />

“public, civic, <strong>com</strong>munitarian journalism” (Black, apud Deuze,<br />

2008:107).<br />

Today, when we think about participatory storytelling,<br />

its possible to observe that there’s a whole army of: “e<strong>as</strong>y to<br />

use Web publishing tools (…) the audience h<strong>as</strong> the means to<br />

be<strong>com</strong>e an active participant in the creation” – costumers are<br />

now contributors and vice-versa (Willis, Bowman, 2002).<br />

Today’s big problem is b<strong>as</strong>ed on the following question: “How<br />

can we include public produced content on our media business<br />

solutions?” The solution might p<strong>as</strong>s through an attitude of<br />

“telling with and not telling to” (Deuze, 2007)!<br />

Regarding this issue, we can see that nowadays media<br />

realities are defined by Bolter and Grusin <strong>as</strong> a “Remediation<br />

Process”. Here new media remediates old media, and old<br />

media remediates the new media (Bolter, Grusin, apud<br />

Krumsvik, 2008).<br />

It is also believed that this recycling scenario is<br />

responsible for a brand new challenge in today’s horizontal<br />

corporate interests. Because with Internet realities there exists<br />

a privileged platform for: “on-line <strong>com</strong>merce, production,<br />

interaction and for most of the contents that exist in the World<br />

Wide Web” (Cádima, 2006:138).<br />

As an endnote, we mustn’t forget that besides all the<br />

technological developments, according to Miller, through<br />

storytelling it’s possible:<br />

“Not only can it transport the audience through a<br />

thrilling journey into an imaginary world, but it can also<br />

reveal dark secrets of human nature or inspire the<br />

audience with the desire to do noble deeds. Storytelling<br />

can also be pressed into (…) more utilitarian goals: to<br />

teach, to promote and to train” (Id., 2004:13).<br />

340

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