Diálogo e Comunicação Intercultural. A Educação com as - Inicio ...

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Computadores Pessoais, Obercom Brief. Available at:
http://www.obercom.pt/content/pOberComBrief/.
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Fundamentals of Multimedia Reporting, Peter Lang, NY-USA.
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Introduction, Focal Press - Elsevier, Oxford UK.
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University Press, Indiana.
- Kindem, G., Musburger, R., (2001), Introduction to Media
Production – From Analog to Digital, Focal Press - Elsevier,
MA – USA.
- Poynton, C., (2007), Digital Video and HDTV, Elsevier, San
Francisco CA – USA.
- Tapscott, D., Williams, A., (2006), Wikinomics, Quidnovi,
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End Notes:
i
This last issue is fundamentaded on the difference between the darkest and
brightest areas in video image. Zettl, H. (2001) Video Basics, Thomson
Learning – Wadsworth, University of San Francisco, p. 141.
ii
Ron Whittaker - Television Production A Free, Interactive Course. In Studio
and Field Production. Available at:
http://www.cybercollege.com/tvp027.htm.
iii
Colour – or Colour Theory is based on the fact that: when we think of light
as being white, we mustn’t forget that: “white light is made up of all the
colours of the visable spectrum, that is, the colours we see in the rainbow.”
In: Walters, G., (1997) Stage Lightning Step by Step, Betterway Books –
Quarto Books, London, p. 82.
iv
Falloff – indicates the degree of change from light to shadow. It can be a
“fast falloff” – this aspect normally indicates a sharp edge or a corner – or a
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