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Zeus : a study in ancient religion - Warburg Institute

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The Sky-Pillar <strong>in</strong> the 'M<strong>in</strong>oan' area 49<br />

the sky and probably represents the Milky Way^ Another large<br />

gold signet from Knossos (fig. 19)^ shows a god with a spear carried<br />

<strong>in</strong> his right hand and rays of light (?)^ dart<strong>in</strong>g from his shoulders as<br />

he descends from a tall taper<strong>in</strong>g pillar towards a female worshipper.<br />

That the shield-bear<strong>in</strong>g deity of the first r<strong>in</strong>g is to be identified with<br />

the rayed god of the second r<strong>in</strong>g, appears from a third representation<br />

on a pa<strong>in</strong>ted Idrnax found at Miletos {Mi/ato) <strong>in</strong> Crete (fig. 20)\<br />

which gives him both shield and rays(?). It can hardly be doubted<br />

^ Op<strong>in</strong>ions have differed as to the <strong>in</strong>terpretation of this wayy band :<br />

see e.g.<br />

C. Schuchhardt Schlie<strong>in</strong>ann^s Excavations trans. E. Sellers London 1891 p. -277 ('pro-<br />

bably. ..the sea'), Collignon Hist, de la Sculpt, gr. \. 46 ('sans doute la mer'), Perrot<br />

Chipiez Hist, de VArt vi. 841 (' peut-etre la mer'), Ch. Tsountas— J. I. Manatt The<br />

Mycenaean Age London 1897 p. 298 ('the cloud-canopy'), Furtvvangler Ant. Gemmen<br />

ii. 10 ('die Andeulung des Himmelsoceans, des Okeanos (oder der Wolken?)'). Milani<br />

Stud, e mat. di arch, c num. 1899— 1901 i. 196 fig. 27 says 'la via lattea,' and Harrison<br />

Themis p. 168 fig. 36 'Milky Way,'—rightly, as I conceive. It should be noticed that<br />

both the goddess and her maidens wear lilies <strong>in</strong> their hair {supra i. 623), and that the<br />

milk-white lily was supposed by the later Greeks to have orig<strong>in</strong>ated from the Milky Way<br />

(supra i. 624). A somewhat analogous design occurs on a gold r<strong>in</strong>g found <strong>in</strong> a tomb of<br />

the Late ' M<strong>in</strong>oan ' ii period at Isopata <strong>in</strong> Crete : four females dance <strong>in</strong> a field of lilies,<br />

while a dim<strong>in</strong>utive goddess descends towards them from a wavy l<strong>in</strong>e apparently betoken<strong>in</strong>g<br />

the sky (fig. 21 (x) after Sir A. J. Evans <strong>in</strong> Archaeologia 1913— 1914 Ixv. 10 fig. 16).<br />

Cp. also another gold r<strong>in</strong>g from a tomb <strong>in</strong> the lower town at Mykenai, now at Athens<br />

(Stais Coll. Mychiicnnc: Atlienes p. 71 f no. 3179<br />

fig., H. Fritze <strong>in</strong> the Strcna Helbigiatia<br />

p. 73 fig. I, Furtwangler Ant. Gemmen i pi. 6, 3, ii. 25 fig.. Sir A. J.<br />

Journ. Hell. Stud. 1901 xxi. 1 76 ff. fig. 53, Harrison 7'he<strong>in</strong>is p. 166 fig. 34).<br />

Evans <strong>in</strong> the<br />

2 Procured by Sir A. J. Evans from the site of Knossos and by him published, to a<br />

scale off, <strong>in</strong> iht Journ. Hell. Stud. 1901 xxi. 170 ff. fig. 48.<br />

^ So Sir A. J. Evans loc. cit. But <strong>in</strong> Archaeologia 1906 lix. 100, ib. 1913— 1914 Ixv.<br />

1 1 he retracts this <strong>in</strong>terpretation, and now suggests that the rapid descent of the div<strong>in</strong>ity<br />

is <strong>in</strong>dicated by long locks of hair fly<strong>in</strong>g out on either side. In view of the very similar<br />

representations of the Babylonian Samas [supra i. 553 n. 5)<br />

nation.<br />

I prefer the former expla-<br />

* Found by Sir A. J. Evans <strong>in</strong> 1899 with<strong>in</strong> a chambered tomb at Milato and by him<br />

published <strong>in</strong> X\\e Journ. Hell. Stud. 1901 xxi. 174<br />

f. fig. 50.<br />

C. II. A

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