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Zeus : a study in ancient religion - Warburg Institute

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5i6 The double axe <strong>in</strong> relation<br />

beneath them, best taken to denote the Milky Way^ conceived as<br />

Okeanos the celestial riverl Below this are two significant objects.<br />

To the left is a shield with human head, hands, and feet project<strong>in</strong>g<br />

from beh<strong>in</strong>d it: it grasps a spear or staff and is—to judge from<br />

analogous representations^—conceived as descend<strong>in</strong>g through the<br />

air. To the right, and occupy<strong>in</strong>g the very centre of the field, is a<br />

double axe with duplicated blades likewise descend<strong>in</strong>g from the<br />

region of the sun and moon towards the goddess and her entourage.<br />

It is reasonable to suppose that the shield and axe thus fall<strong>in</strong>g from<br />

above are the weapons of the sky-god. Further than that we cannot<br />

at present go.<br />

Another example of the double axe <strong>in</strong> mid air has been thought<br />

to occur on a clay seal<strong>in</strong>g found by D. G. Hogarth <strong>in</strong> a 'M<strong>in</strong>oan'<br />

house at Kato Zakro, a village of eastern Crete''. But of this impress<br />

a more likely explanation has been advanced by G. Karo, as we<br />

shall subsequently see\<br />

(/3) The double axe <strong>in</strong> relation to tree- or plant-forms.<br />

In a second group of cult-scenes the double axe is brought <strong>in</strong>to<br />

more <strong>in</strong>timate relations with tree-or plant-forms. h.%\w2\\ sarcophagus,<br />

discovered by the Italian excavators close to the palace at Hagia<br />

Ti'-iada, two' miles to the north-west of Phaistos, and now to be seen<br />

<strong>in</strong> the Museum at Kandia, has first claim upon our attention". It was<br />

found, lidless, empty, and partially damaged, <strong>in</strong> a rectangular tomb-<br />

build<strong>in</strong>g, which can be referred to the end of the period known as<br />

'Late M<strong>in</strong>oan ii' or the beg<strong>in</strong>n<strong>in</strong>g of 'Late M<strong>in</strong>oan iii,' that is, to a<br />

date c. 1400 B.C. The sarcophagus, made of greyish limestone, <strong>in</strong><br />

' Supra p. 49 n. i. - Supra p. 481 f.<br />

^ See the sarcophagus from Milato (Sir A.J. Evans <strong>in</strong> 'Ci\e. Journ. HelL Stud. 1901<br />

xxi. 174 fig. 50) and the gold r<strong>in</strong>g from Knossos [id. ib. 1901 xxi. 170 fig. 48). Supra<br />

p. 47 ff.<br />

^ D. G. Hogarth <strong>in</strong> \.\\tJoiirn. HelL Stud. 1902 xxii. 77 f. fig. 5, cp. Sir A. J. Evans<br />

<strong>in</strong> the Ann. Brit. Sch. AtJi. 1900— 1901 vii. 54.<br />

s hifra § 3<br />

(c) i (/x).<br />

^ R. Paribeni <strong>in</strong> the Rendiconti d. L<strong>in</strong>cei 1903 xii. 343 ff. (description), id. ' Kicerche<br />

nel sepolcreto di Haghia Triada presso Phaestos ' <strong>in</strong> the Mon. d. L<strong>in</strong>cei 1904 xiv. 714— 719,<br />

id. '11 sarcofago dip<strong>in</strong>to di Haghia Triada' <strong>in</strong> \\\& Mon. d. L<strong>in</strong>cei 1908 xix. 5— 86 with<br />

23 figs, <strong>in</strong> text and 3 m<strong>in</strong>utely accurate coloured plates by Stefani ( = my pi. xxvii). The<br />

three articles together constitute the most authoritative account of this important monument.<br />

For further discussion see F. M. J. Lagrange 'La Crete ancienne ' <strong>in</strong> the Revue<br />

Bibliqiie <strong>in</strong>ternationale Nouvelle Serie 1907 iv. 338 345 figs. 30—32, 34 f. (<strong>in</strong>exact),<br />

A.J. Re<strong>in</strong>ach ' Der<br />

Le Sarcophage de Haghia Triada' <strong>in</strong> the Rev. Arch. 1908 ii. 278—288<br />

with 4 figs., F. von ' Duhn<br />

Sarkophag aus Hagia Triada' <strong>in</strong> the Archiv f. Rel. 1909<br />

xii. 161— 18-; pis. 2— 4, E. Petersen 'Der kretische Bildersarg ' <strong>in</strong> i\\t Jahrb. d. kais.<br />

deutsch. arch. lust. 1909 xxiv. 162— 170 with 5 figs., Harrison Themis pp. 158 ff-<br />

fig. 30 f., 209 f.

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