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Zeus : a study in ancient religion - Warburg Institute

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8o2 The thunderbolt of <strong>Zeus</strong><br />

other pa<strong>in</strong>ters represented Pluto with a two-pronged fork <strong>in</strong> his<br />

hand, and conjectured that this detail must have been taken from<br />

<strong>ancient</strong> monuments s<strong>in</strong>ce lost\ F. G. Welcker<br />

<strong>in</strong> 185 1 -, and aga<strong>in</strong> <strong>in</strong> 1857-', confirmed his<br />

op<strong>in</strong>ion, cit<strong>in</strong>g def<strong>in</strong>ite works of renaissance<br />

art <strong>in</strong> which Pluto is so portrayed*. These<br />

scholars and others follow<strong>in</strong>g <strong>in</strong> their steps<br />

were also able to name a certa<strong>in</strong> number of<br />

would-be classical monuments <strong>in</strong> support of<br />

their contention. But a more rigorous criti-<br />

jTjg -5„ cism would have curtailed or cancelled the list.<br />

Thus a statuette of Italian marble <strong>in</strong> the Pio-<br />

Clement<strong>in</strong>o collection shows Pluto enthroned :<br />

a <strong>in</strong>odius decorated with oak-leaves and acorns ;<br />

he<br />

wears on his head<br />

he has at his right<br />

side a three-headed Cerberus, and <strong>in</strong> his left hand a two-pronged fork.<br />

But, as Visconti <strong>in</strong>dicates, the fork together with the hand that holds<br />

it is a modern restoration'. Aga<strong>in</strong>, a desk-shaped terra cotta at<br />

Woburn Abbey has its slant<strong>in</strong>g surface adorned with three bearded<br />

heads wear<strong>in</strong>g the <strong>in</strong>odius : they are characterised as Poseidon, <strong>Zeus</strong>,<br />

and Plouton by the attributes" added below on the front—a trident,<br />

a thunderbolt, and a two-pronged fork. Beneath the thunderbolt<br />

is an <strong>in</strong>scription <strong>in</strong> raised letters :<br />

Du's propi- To the propitious gods<br />

M- Herennii of Marcus Herennius.<br />

vivatis Long life to you".<br />

Replicas of this curious monument have been reported from<br />

Vienna^, Parish and Wiirzhurg**. Unfortunately their genu<strong>in</strong>eness is<br />

far from established'". F<strong>in</strong>ally, a two-pronged fork figures among<br />

the amulets on a Tarent<strong>in</strong>e cake-mould <strong>in</strong> the British Museum".<br />

O. Jahn, who published this mould <strong>in</strong> 1855, thought that the fork<br />

might be a symbol of Hades, but regarded it as doubtful'-.<br />

' E. Braun <strong>in</strong> the Ann. d. Inst. 1837 ix. 274.<br />

2 Welcker Alt. Denkm. iii. 95.<br />

^ Welcker Gr. Gotterl. i. 630 f. n. 28.<br />

^ See also J. Addison Classic Myths <strong>in</strong> Art London 1905 pp. 25, 29.<br />

^ Visconti il//«. Pie-CUm. ii. 17 ff. pi. i, Re<strong>in</strong>ach Rep. Stat. i. 44ono. i.<br />

" A. Michaelis Ancient Marbles <strong>in</strong> Great Brita<strong>in</strong> trans. C. A. M. Fennell Cam-<br />

bridge 1882 p. 745 Woburn Abbey no. 182.<br />

" Welcker Gr. Gotterl. i. 630 n. 28.<br />

* F. Wieseler <strong>in</strong> the Arch. Zeit. 1859 ^^^^ Anz. p. 115* f. Pourtales— Gorgier collec-<br />

tion no. 826. " A. Michaelis op. cit. p. 745.<br />

'" Michaelis described the Woburn Abbey ' specimen as new '<br />

: Dubois, Wieseler, and<br />

Gerhard doubted the antiquity of those from Paris and WUrzburg.<br />

'' Brit. Mus. Cat. Terracottas p. 446 no. E 129, supra p. 131 n. i no. (i).<br />

'- O. Jahn <strong>in</strong> the Ber. siichs. Gesellsch. d. Wiss. Phil. -hist. Classe 1854 p. 52 n. 93<br />

Ph 5> 3-

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