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Zeus : a study in ancient religion - Warburg Institute

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794<br />

The thunderbolt of <strong>Zeus</strong><br />

versions were current concern<strong>in</strong>g Erechtheus' death. Accord<strong>in</strong>g to<br />

Euripides, he was sla<strong>in</strong> by a blow of Poseidon's trident and hidden<br />

<strong>in</strong> a chasm of earths Accord<strong>in</strong>g to Hyg<strong>in</strong>us, he was sla<strong>in</strong> b)' a<br />

thunderbolt from <strong>Zeus</strong> at the request of Poseidon ^ Hence Petersen<br />

concludes that Erechtheus was a figure essentially resembl<strong>in</strong>g<br />

' <strong>Zeus</strong>-Amphiaraos, <strong>Zeus</strong>-Asklepios, <strong>Zeus</strong>-Trophonios^'; that the<br />

hypaethral open<strong>in</strong>g <strong>in</strong> the Erechtheion floor was the chasm where<br />

he, the lightn<strong>in</strong>g-god, had entered the earth ; and that this same<br />

chasm, on the advent of Poseidon, had been re-<strong>in</strong>terpreted as his<br />

trident-mark^. The whole story: thus becomes coherent, and I for<br />

one accept Petersen's read<strong>in</strong>g of it—though I should stipulate that<br />

Fig- 757-<br />

the epic Erechtheus was not a lightn<strong>in</strong>g-god, but a human k<strong>in</strong>g<br />

regarded as the Hghtn<strong>in</strong>g-god <strong>in</strong>carnate.<br />

Now the transition from the cult of Erechtheus to that of<br />

Poseidon is much facilitated, if we may suppose that the latter, like<br />

the former, wielded the lightn<strong>in</strong>g,—that his trident, <strong>in</strong> short, was<br />

orig<strong>in</strong>ally the thunderbolt.<br />

So far, however, we have not met with any direct proof that<br />

Poseidon was a lightn<strong>in</strong>g-god. Once, and once only, <strong>in</strong> the extant<br />

rema<strong>in</strong>s of Greek art is he represented brandish<strong>in</strong>g a bolt as though<br />

he were <strong>Zeus</strong>. A remarkable tetradrachm of Messana, formerly <strong>in</strong><br />

the Hirsch collection and now at Brussels (fig. 757)^ has for its<br />

obverse design a god wear<strong>in</strong>g a cJilaviys over his upper arms <strong>in</strong> the<br />

IIoo'eiScD/'os, tlis 'H(r^o5os iv KaTaX67(fj = Favorir!. ed. <strong>in</strong> W. D<strong>in</strong>dorf Gravnnatici Graci<br />

Lipsiae 1823 i. 361, 8 f. The oldest monumental evidence is that of a black-figured<br />

amphora by Amasis (c. 550—530 B.C.), now at Paris (De Ridder Cat. Vases de la Bibl.<br />

Nat. i. 129 ff. no. 222. Lenormant—de Witte El. tiion. cer. i. 254 ff. pi. 78), which<br />

shows Athena with her lance and Poseidon with his trident stand<strong>in</strong>g opposite to each<br />

other <strong>in</strong> peaceful attitudes. E. Petersen op. cit. p. 65 observes that the scene presupposes<br />

reconciliation after the contest at the Erechtheion— 'also Poseidon stattdes Erechtheus.'<br />

^ Eur. Ion 281 f. ^ \iy

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