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Zeus : a study in ancient religion - Warburg Institute

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Zan an older <strong>Zeus</strong> 347<br />

Aga<strong>in</strong>, if the death of Zan the Great was, like that of Tammuz,<br />

the subject of a yearly lamentation, we cannot but recall Plutarch's<br />

account^ of the voice which bade the pilot Thamous bear the<br />

mysterious tid<strong>in</strong>gs<br />

' Pan the Great is dead 2.'<br />

Are we to conclude that this s<strong>in</strong>gular tale was ultimately based on<br />

the ritual of Zan ? The locality of the alleged<br />

occurrence is worth consider<strong>in</strong>g. The unknown<br />

voice came from the direction of<br />

Paxoi, a couple of small islands, now called<br />

Paxo and Antipaxo, off the mouth of the<br />

Thesprotian river Acheron, which flows<br />

through the Acherusian Lake to the sea.<br />

Thamous was to make his announcement<br />

geschichte vielmehr yon eiiiem anderen, von Timachidas<br />

nicht gekannten oder beiseite gelassenen lokalhistoriker<br />

Oder mythographen erziihlt.' The theme is embroidered<br />

<strong>in</strong> D. G. Rossetti's Troy Town) and sometimes certa<strong>in</strong><br />

(Apul. met. II. 10 idem gerebat et aureum vasculum <strong>in</strong><br />

modum papillae rutundatum de quo lacte libabat, with<br />

W. Drexler's remarks <strong>in</strong> Roscher Lex. Myth. ii. 502 f.<br />

Fig. 240 is a breast-shaped situla of bronze from Egypt,<br />

now <strong>in</strong> my possession, which may serve to illustrate the<br />

Isiac milk-bowl. On St Agatha of Catania as successor of<br />

the Bona Dea see J. E. Wessely Ikoiographie Gottes i<strong>in</strong>d<br />

der Heiligen Leipzig 1874 p. 54 f, H. Ploss—M. Bartels<br />

op. cit.^'^ i. 37-2 f.). I am therefore disposed to conclude<br />

that dr<strong>in</strong>k<strong>in</strong>g from the cymbal was regarded as tantamount<br />

to dr<strong>in</strong>k<strong>in</strong>g from the breast of the goddess—a ritual<br />

act which made the mystic her very child (cp. Class. Rev.<br />

1906 XX. 416 f. fig. 4). A gozX-rhytihi {supra i. 108) is substituted for the cymbal on<br />

an engraved cornelian at Florence, which represents a Bacchant milk<strong>in</strong>g her own breast<br />

<strong>in</strong>to the vessel (A. F. Gori Museum Florcnt<strong>in</strong>titii Gemmae<br />

antiquae ex thesauro Mediceo et privatorum dactylio-<br />

thecis Florentiae exhibitae tab. CC Florentiae 1731 i. 160<br />

pi. 84 no. io = my fig. 241, Re<strong>in</strong>ach /VVrrt'i' Gravees p. 43,<br />

no. 84, 10 pi. 40, R. E. Raspe Catalogue raisonne dhtite<br />

collection generate de pierrcs gravees antiques et viodernes<br />

niotdees en pdtes de couknrs...par J. Tassie London 1791<br />

no. 4695. The stone measures 16 x 12mm- and is not de-<br />

monstrably postclassical. Gori took the subject to be<br />

'vel Ino, vel Autonoe, vel Agave, vel Hippa' as nurse of<br />

Bakchos [supra i. 395<br />

n. 3 : the name should be Hipta,<br />

accord<strong>in</strong>g to O. Kern <strong>in</strong> Hermes 1914 xlix. 480)<br />

identification is quite arbitrary).<br />

; but the<br />

^ Plout. de def. or. 17 cited by Euseb. praep. ev. 5.<br />

17. 4ff-<br />

- Plout. de def. or. 17 Ilai' (6 iro-v cod. Ambr.) 6 txiya.%<br />

Ti6vr]K€ and later 6 ixiyas Yla.v TedvTjKev, Euseb. praep. ev. 5. 17. 6 nkv 6 ixiyas T^GvrjKev,<br />

5. 17. 8 ndi' 6 fifyai r^dvrjKev.<br />

Fig. 24O.<br />

Fig. 241.

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