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Zeus : a study in ancient religion - Warburg Institute

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262 Dionysos displaced by Apollon<br />

and Dionysos—the early Delphic triad—<strong>in</strong> thoroughly characteristic<br />

surround<strong>in</strong>gs.<br />

Another fourth-century vase, likewise found at Jiiz Oba and<br />

preserved at Petrograd\ is a red-figured k^ater, which has for<br />

obverse design a judgment of Paris^ comparable with that depicted<br />

on the hydria at Karlsruhe-' and for reverse the arrival of Apollon<br />

at Delphoi (pi. xvii)*. The scene is marked by the oniphalos with<br />

its fillets and bay-wreath, the palm-tree^ and the tripods Dionysos<br />

—a k<strong>in</strong>gly figure bearded, wreathed with ivy, clad <strong>in</strong> f<strong>in</strong>e under-<br />

chiton, richly decorated upper-^/^zV^«, and h<strong>in</strong>idtion, and hold<strong>in</strong>g his<br />

thyrsos like a sceptre— is evidently lord of the locality'. Round<br />

him is his ret<strong>in</strong>ue, three naked Satyrs and three Maenads, who with<br />

flutes, lyre, and timbrel make music as their master extends the<br />

right hand of fellowship* to the youthful Apollon, a simpler personage<br />

<strong>in</strong> a dotted Jiividtion with bay-wreath and bay-branch. One<br />

of the Maenads prepares a seat for him beside the omphalos—<br />

sufficiently significant action. The guest has come to stay. And it<br />

may be added that <strong>Zeus</strong> and Themis, the orig<strong>in</strong>al occupants of the<br />

place, are already relegated to the other side of the vase.<br />

A later moment is represented on a red-figured \>€\\-kr'ater of<br />

design some commonplace subject (draped youths, etc.) unconnected with the obverse.<br />

That is true. But there are notable exceptions (e.g. Compte-rendu St. Pit. 1859 p. 32 ff.<br />

Atlas pi. I f. = Re<strong>in</strong>ach Ri^p. Vases i. i, i f., 2, 2 or Collignon—Couve Cat. Vases<br />

d' Athenes p. 590<br />

f. no. 1854), and this may well be one. Robert op. cit. p. 190 is not<br />

averse from connect<strong>in</strong>g the two sides of our vase.<br />

1 Stephani Vaseiisamml. St. Petersburg \\. 339 ff. no. 1807. Height 0'49'".<br />

2/«/;-^§9(h)ii(^).<br />

^ Supra i. 125 f. pi. xi.<br />

* L. Stephani <strong>in</strong> the Conipte-rendu St. Pit. 1861 p. 33 ff. Atlas pis. 3 and 4 ( = my<br />

pi. xvii) = Re<strong>in</strong>ach Rep. Vases i. 7, 5 f. , 8, i, L. Weniger <strong>in</strong> the Arc/i. Zeit. 1866 xxiv.<br />

185 ff. pi. 211, Overbeck Gr. Kitnstniyth. Apollon pp. 331 no. 73, 333 Atlas pi. 21, 25<br />

(central group only), Farnell Cults of Gk. States iv. 3t6 pi. 17, Harrison Proleg. Gk. Rel."^<br />

p. 390<br />

f. fig. 122, ead. Themis p. 443 f. fig. 137.<br />

* Recall<strong>in</strong>g the bronze palm at Delphoi (Plout. v. Nic. 13, de Pyth. or. 8, Paus. 10.<br />

15. 4 f.). On the relation of palms to Apollon see L. Stephani <strong>in</strong> the Compte-rendu<br />

St. Pit. 1 86 1 p. 68 f.<br />

^ Omphalos, palm, and tripod are all found on the amphora from Ruvo {supra<br />

p. 170 n. 2).<br />

' Miss Harrison is a trifle less dogmatic <strong>in</strong> her Proleg. Gk. Rel.^ p. 390 f.: ' Ii is<br />

perhaps not quite certa<strong>in</strong> which is regarded as the first comer, but the balance is <strong>in</strong> favour<br />

of Dionysos as the sanctuary is already peopled with his worshippers.'<br />

^ L. Weniger <strong>in</strong> the Areh. Zeit. 1866 xxiv. 190 f. and Farnell Cults oj Gk. States<br />

iv. 316 suggest that Dionysos is greet<strong>in</strong>g Apollon on his return from the Hyperboreans^-<br />

a possible <strong>in</strong>terpretation. L. Stephani <strong>in</strong> the Co<strong>in</strong>pte-rendu St. Pit. t86i p. 114 after<br />

many pages reaches the wrong conclusion, viz. that Apollon and Dionysos grasp each<br />

other's hand merely to show their essential similarity 'E<strong>in</strong>e...re<strong>in</strong> theoretische, nicht<br />

dramatische Anwendung des Handschlags '—or, if the gesture has any reference to the<br />

particular occasion, their unanimity <strong>in</strong> regard to the judgment of Paris.

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