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Zeus : a study in ancient religion - Warburg Institute

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792<br />

The thunderbolt of <strong>Zeus</strong><br />

po<strong>in</strong>t are the parallels adduced from the Indian area, where the<br />

association of iron tridents with ' thunderstones '<br />

is a very note-<br />

worthy fact. But most cogent of all is the analogy of the hypaethral<br />

trident-mark to the hypaethral bidcntal, and <strong>in</strong>deed the whole history<br />

of the Athenian Erechtheion.<br />

The marks beneath its northern porch (fig. 756)' comprise<br />

Fig. 756.<br />

three small holes ly<strong>in</strong>g on a curve together with a fourth, larger<br />

and more irregular, at a little distance from them. These marks<br />

I am disposed to conjecture—were orig<strong>in</strong>ally a series of neolithic<br />

' cup-marks-.' If so, they are of peculiar <strong>in</strong>terest as be<strong>in</strong>g the oldest<br />

traces of cult on the Athenian Akropolis. The exact significance<br />

of 'cup-marks' is unknown'; but it is noticeable that, wherever<br />

' The plan given <strong>in</strong> the npa(CTt»ra riyj iirl roO'Epex^fiov iirirpoiTTJf Athens 1853 pi. 3<br />

is improved and completed by A. Michaelis <strong>in</strong> the Jahrb. d. kais. deutsch. arch. hist.<br />

1902 xvii. 19 fig. 5 ( = my fig. 756). Of the three trident-holes /•' is 1-25'" deep, -t* is 279'",<br />

while >('•' is plugged at a depth of 070'". These dimensions imply that the orig<strong>in</strong>al ' cupmarks<br />

' had at some later time been bored much deeper to suit the trident-story. The<br />

Athenians were not above a '/iwa-Xov \f/tvdoi.<br />

2 Bibliography <strong>in</strong> J. Schlemm IVorterbiich zur Vorgesthichte Berl<strong>in</strong> 1908 pp. 500<br />

504 figs a—d, J. Dechelette Manuel d"archMogie prihistorique Paris 1908 i. 618 n. 1.<br />

See also T. Rice Holmes Ancient Brita<strong>in</strong> and the Invasiotis ofJulius Caesar Oxford 1907<br />

p. 205 n. 4.<br />

' The Abbe Breuil suggested to me once <strong>in</strong> conversation that concentric circles with<br />

a prolonged radius may be highly stylised human figures, such as are met with <strong>in</strong> the<br />

neolithic and aeneolithic art of Spa<strong>in</strong> (M. C. VtwxVxiy. Prehistory Cambridge 1921 pi. 38).

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