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Zeus : a study in ancient religion - Warburg Institute

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i8o The Delphic Omphalos<br />

<strong>in</strong> all probability worshipped at Delphoi. And it is <strong>in</strong>terest<strong>in</strong>g to<br />

f<strong>in</strong>d that as far back as Homeric times the Pythian ApoUon was<br />

called aphe'tor, 'he that lets fly^' This appellation, which occurs but<br />

once, was and is still a bone of contention to Homer's expositors-.<br />

It looks as though Apollon had stepped <strong>in</strong>to the place of <strong>Zeus</strong> and<br />

<strong>in</strong>herited his local title. The archer as well as the thunderer ' lets<br />

fly.' Under the rule of Apollon the eagles, however, were felt to be<br />

a mistake. Attempts were made to rewrite the myth with the somewhat<br />

cheap substitution of swans or ravens^ Perhaps Philomelos<br />

the Phocian, who seized the temple {c. 356 B.C.) and appropriated<br />

the golden eagles'*, salved his conscience with the reflection that<br />

after all eagles were not the rightful birds of Apollon. Whether<br />

the eagles melted down by Philomelos were subsequently renewed<br />

<strong>in</strong> gold, we cannot say for certa<strong>in</strong>. But it appears that <strong>in</strong> later<br />

days a pair of eagles was represented <strong>in</strong> mosaic on<br />

the floor to right and left of the omphalos^.<br />

The evidence of literature may be supplemented by<br />

that of art. An electrum stater of Kyzikos, struck<br />

c. 450-400 B.C., shows two eagles, beak to beak,<br />

perched awkwardly enough on the sides of a filleted<br />

omphalos (fig. 123)''. This co<strong>in</strong> presumably depicts the<br />

^<br />

famous oniplialos at Delphoi, not—as \V. H. Roscher<br />

would make ouf—a counterpart of it at Branchidai.<br />

^ //. 9. 404 f. 01)5' oaa XdiJ'os ovhh% a

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