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Zeus : a study in ancient religion - Warburg Institute

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Death by lightn<strong>in</strong>g as euthanasia 27<br />

The critical moment <strong>in</strong> her myth is variously reported by the<br />

m\'thographers. Accord<strong>in</strong>g to Apollodoros\ Semele begged <strong>Zeus</strong> to<br />

appear to her <strong>in</strong> the same form <strong>in</strong> which he had wooed Hera. Thereupon<br />

<strong>Zeus</strong> came to her chamber on a chariot with lightn<strong>in</strong>gs and<br />

thunders, and hurled a bolt. Semele <strong>in</strong> terror gave untimely birth<br />

to Dionysos and died. Other accounts say noth<strong>in</strong>g about the<br />

chariot : Semele could not support the sight of <strong>Zeus</strong> the god of<br />

thunder and lightn<strong>in</strong>g, and was killed by it^. Others, aga<strong>in</strong>, are more<br />

precise. Semele was burnt", or actually struck by a thunderbolt and<br />

brandish<strong>in</strong>g a thunderbolt <strong>in</strong> his right hand and grasp<strong>in</strong>g a sceptre <strong>in</strong> his left. Semele<br />

flees to right, look<strong>in</strong>g back, her right hand extended towards <strong>Zeus</strong> <strong>in</strong> an attitude of<br />

supplication, her left hold<strong>in</strong>g a flower. Beh<strong>in</strong>d <strong>Zeus</strong> a female companion of Semele,<br />

likewise hold<strong>in</strong>g a flower, escapes to left. (6) Two other companions of Semele hasten,<br />

from left and right, to announce the event to her father, Kadmos. (4) A kratilr (lid lost)<br />

<strong>in</strong> the Louvre (G 412), past the climax of the f<strong>in</strong>e style (460—440 B.C.) and largely<br />

repa<strong>in</strong>ted (H. Heydemann Dionysos^ Gebiiri p. 8 n. 21): [a] <strong>Zeus</strong>, with bay-wreath and<br />

chlaiiiys, strides to right, brandish<strong>in</strong>g a thunderbolt <strong>in</strong> his right hand and grasp<strong>in</strong>g a<br />

sceptre <strong>in</strong> his left. Semele flees to right, look<strong>in</strong>g back ; she lifts her chiton with her right<br />

hand and raises her left towards her shoulder. Beh<strong>in</strong>d <strong>Zeus</strong> a female companion of<br />

Semele escapes to left. Before Semele stands her white-haired father, his right hand<br />

raised <strong>in</strong> astonishment, his left hold<strong>in</strong>g a stafi". [b) Four men and women convers<strong>in</strong>g.<br />

The type attested by these vases beg<strong>in</strong>s as a mere comb<strong>in</strong>ation of the early strid<strong>in</strong>g<br />

<strong>Zeus</strong> [supra \. 84 ff. figs. 52— 54) with the early runn<strong>in</strong>g maiden. The eagle of <strong>Zeus</strong> is<br />

omitted, and his left hand either holds a sceptre [<strong>in</strong>fra % 3 (c) iv (a)) or grasps the shoulder<br />

of Semele. Next, under the <strong>in</strong>fluence of flower-pluck<strong>in</strong>g scenes (Europe, Thaleia, etc.),<br />

Semele is given a flower, while a comrade likewise hold<strong>in</strong>g a flower forms a suitable<br />

pendant. F<strong>in</strong>ally, the group is amplified by the <strong>in</strong>troduction of Kadmos and other figures,<br />

either on the reverse or on the obverse of the vase.<br />

Vases that represent <strong>Zeus</strong> pursu<strong>in</strong>g the female with lowered bolt cannot be assumed<br />

to depict the Semele-episode; for the bolt may be a mere attribute. E.g. an ajnphora<br />

formerly <strong>in</strong> the possession of the Neapolitan dealer Barone (J. de Witte 'Jupiter at<br />

Semele ' <strong>in</strong> the Rev. Arch. 1862 ii. 29 f. fig. <strong>Zeus</strong>, with chlamys worn shawl-wise, hold<strong>in</strong>g<br />

a thunderbolt <strong>in</strong> his lowered right hand, a sceptre <strong>in</strong> his left, pursues towards the right<br />

a runn<strong>in</strong>g female, who looks back with gestures of alarm), a large hydria from Vulci now<br />

at Paris (De Ridder Cat. Vases de la Bibl. Nat. ii. 331 no. 439 confused description,<br />

P. Milliet—A. Giraudon Vases pe<strong>in</strong>ts du Cab<strong>in</strong>et des Aledailks b' Antiques [Bibliothi-que<br />

Nationale) Paris 1891 vi^ classe, xi^ serie ii pi. 75 = my fig. 13 <strong>Zeus</strong>, with myrtle (?)-wreath<br />

and chlamy's worn shawl-wise, hold<strong>in</strong>g a thunderbolt <strong>in</strong> his lowered left hand, advances<br />

towards the left and seizes with outstretched right hand a runn<strong>in</strong>g female, who looks back<br />

with gestures of alarm and supplication), and other vases noted by H. Heydemann<br />

Dicnysos' Geburt p. 7 n. 18.<br />

The brown paste at Berl<strong>in</strong> usually cited <strong>in</strong> this connexion (G. W<strong>in</strong>ckelmann Monumeuti<br />

atitichi <strong>in</strong>editi"^ Roma 182 1 ii. i. 2 f. pi. i, T. Panofka Dionysos und die Thyaden<br />

(extr. from the Abh. d. berl. Akad. 18^2 Phil. -hist. Classe p. 377 fif.) Berl<strong>in</strong> 1853 p. 36 fif.<br />

pi. 3, 4, Miiller—Wieseler Denkm. d. alt. Kt<strong>in</strong>st ii. 24 pi. 3, 46", C. W. K<strong>in</strong>g Antique<br />

Gems and R<strong>in</strong>gs London 1872 i. 483 fig. =Sir John Sandys The Bacchae of Euripides^<br />

Cambridge 1892 pp. cxxxiif., i fig., etc.) represents neither <strong>Zeus</strong> nor Semele : see Furt-<br />

wangler Geschnitt. Ste<strong>in</strong>e Berl<strong>in</strong> p. 227 no. 6219 pi. 42, id. Ant. Ge<strong>in</strong>men i. pi. 36, 20,<br />

ii. 1 75, iii. 416 n. 2.<br />

^ Apollod. 3. 4. 3.<br />

- Diod. 3. 64, Lact. Plac. <strong>in</strong> Stat. Tlieb. i. 12, 2. 292, Myth. Vat. 2. 79.<br />

3 Yiy^.fab. 179, Lact. Plac. <strong>in</strong> Stat. Theb. 4. 673, Myth. Vat. i. 120.

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