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Zeus : a study in ancient religion - Warburg Institute

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I50 Diana-Pillars<br />

disk, from which pendants were danghng. In short, it was an<br />

erection uncommonly Hke our own May-pole, which I illustrate<br />

from a manuscript dated c. 1499 A.D. (fig. 89)^ The comparison<br />

donne a penser-.<br />

The landscape-pa<strong>in</strong>t<strong>in</strong>gs—not to dwell on the very similar land-<br />

viewed <strong>in</strong> connexion with the<br />

scape-reliefs (figs. 91, 92)-'— , when<br />

^ R. Chambers The Book of Days London—Ed<strong>in</strong>burgh 1864!. 575 :<br />

' In the illum<strong>in</strong>a-<br />

tions which decorate the manuscript " Hours " once used by Anne of Brittany and now<br />

preserved <strong>in</strong> the Bibliotheque Royale at Paris, and which are believed to have been<br />

pa<strong>in</strong>ted about 1499, the month of May is illustrated by figures bear<strong>in</strong>g flower-garlands,<br />

and beh<strong>in</strong>d them the curious May-pole here copied, which is also decorated by colours on<br />

the shaft, and ornamented by garlands arranged on hoops, from which hang small gilded<br />

pendents. The pole is planted on a triple grass-covered mound, embanked and strengthened<br />

by timber-work.' Id. ib. p. 577 notes that <strong>in</strong> the neighbourhood of Salzburg it is the<br />

custom to trick out the May-pole with birds, stags, etc. ('In one <strong>in</strong>stance a stag-hunt is so<br />

hg. 91<br />

Fig. 90.<br />

„MUj:i;iii,i;iiimif:!ii'jjil<br />

represented ') : the resemblance to the Roman pillar of<br />

Diana Ne<strong>in</strong>orensis is curiously close.<br />

^ Supra i. 291, 339 I suggested that the May-pole<br />

was topped by an effigy of the sun (globe, wheel, hoop).<br />

But these horizontal garlands po<strong>in</strong>t rather to an effigy of<br />

the sky {<strong>in</strong>fra p. 157 f.).<br />

Analogous forms might be traced yet further afield.<br />

A sacred column {stambha, Idt) of granite (height 53^ ft)<br />

fac<strong>in</strong>g a Ja<strong>in</strong> temple at Mudubidery or Morbidry near<br />

Mangalore (E. Moor The H<strong>in</strong>du Pantheon London i86r<br />

pi. 77 (=;my fig. 90), id. The H<strong>in</strong>du Pantheon^ Madras<br />

1864 p. 368 pi. 44) bears <strong>in</strong>deed a curious resemblance<br />

to the Diana-pillars of <strong>ancient</strong> Italy. This may, of<br />

course, be wholly fortuitous. But it is th<strong>in</strong>kable that<br />

there was some remote connexion between them. For<br />

the Ja<strong>in</strong>s were apparently known to the later Greeks<br />

(Hesych. Fewoi' ol VvixvoL(na.'C)\ and the stambha<br />

or Idt <strong>in</strong> its earliest form has ^z^aj^'-classical traits (see<br />

J.<br />

Fergusson History rf Indian and Eastern Architecture<br />

rev. by J. Burgess and R. Phene Spiers London 1910<br />

i. 54, 56 ff. fig. 5 fif., 346 ff. fig. 202 f., ii. 11 fig. 275, 81 fif.<br />

fig. 308). Moreover, the Ja<strong>in</strong>s sometimes compared the<br />

world with a sp<strong>in</strong>dle rest<strong>in</strong>g on a half sp<strong>in</strong>dle (H. T.<br />

Colebrooke Miscellaneotis Essays'- London 1873 ii. 198 f.,<br />

C. Lassen Indische Alterthunisknnde Leipzig 1861 iv.<br />

771). Hence it is tempt<strong>in</strong>g to conjecture that the stambha<br />

was, at least orig<strong>in</strong>ally, a world-pillar.<br />

* A few examples will suffice : Fig. 91, a marble relief<br />

(height c. i'2o'", breadth 075) <strong>in</strong> the Palazzo Colonna<br />

at Rome (Matz—Duhn Ant. Bildw. <strong>in</strong> Pom iii 66 f.<br />

no. 3576, Montfaucon Antiquity Expla<strong>in</strong>ed trans.<br />

D. Humphreys London 1725 Suppl. i. 132 pi. 31 no. 8<br />

with sides reversed, Gerhard Ant. Bildw. p. 287 f. pi. 42,<br />

I, id. Uber den Gott E7-os Berl<strong>in</strong> 1850 p. 34 f. pi. 2, i,<br />

Boetticher Baumkultus pp. i58f., 539 fig. 26, T. Schreiber<br />

Die hellenistischen Reliefbilder Leipzig 1889 pi. rj^my<br />

id. ' Die hellenistischen Relief bilder und die augusteische Kunst' <strong>in</strong> X\\e. Jahrb. d.

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