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Zeus : a study in ancient religion - Warburg Institute

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712<br />

The sword of <strong>Zeus</strong><br />

lupiter, grasp<strong>in</strong>g a bolt <strong>in</strong> one hand and a spear <strong>in</strong> the other,<br />

fitt<strong>in</strong>gly expressed the popular belief <strong>in</strong> a sky-god, whose weapons<br />

were thunder and lightn<strong>in</strong>g.<br />

In conclusion, it should be noticed that Roman lamps with<br />

crescentic handles not unfrequently have the crescent embellished<br />

with a relief of lupiter hold<strong>in</strong>g a thunderbolt <strong>in</strong> his right hand and<br />

a spear or sceptre <strong>in</strong> his left (fig. 652)^ An example <strong>in</strong> the British<br />

Museum gives him an unmistakable spear (fig. 653)^ The lightn<strong>in</strong>ggod<br />

was a suitable adornment of the light-giv<strong>in</strong>g lamp^, and his<br />

threatensome attitude an excellent apotrdpaion.<br />

iii. The sword of <strong>Zeus</strong>.<br />

Greek literature never equips <strong>Zeus</strong> with a sword. Can the same<br />

be said of Greek art ? The question arises <strong>in</strong> connexion with an<br />

important Attico-Ionian ampJiora found at Caere <strong>in</strong> Etruria and<br />

now preserved <strong>in</strong> the Louvre (pi. xxx)^ The body of the vase<br />

exhibits two scenes, which together form one of our earliest repre-<br />

sentations of the Gigantomachia'. The ma<strong>in</strong> combat is that of <strong>Zeus</strong>,<br />

who s<strong>in</strong>gle-handed attacks three Giants. Agasthenes is down and<br />

out ; Ephialtes and Hyperbios still show fight. The Giants are<br />

armed like Greek hoplites. So too is <strong>Zeus</strong>, except that the round<br />

shield borne on his left arm is fr<strong>in</strong>ged with twenty bristl<strong>in</strong>g snakes<br />

sens et ne servent plus que de pretexte a une pose, d'occasion a un geste De meme,<br />

ici, la lance au lieu du sceptre.'<br />

^ J. Touta<strong>in</strong> <strong>in</strong> Daremberg—Saglio Diet. Ant. iii. 1327 f. fig. 4593 ( = my fig. 652)<br />

from a terra-cotta specimen <strong>in</strong> the Louvre, Brit. Mus. Cat. Lamps p. 129 nos. 854—857<br />

terra-cotta handles only.<br />

^ Brit. Mus. Cat. Lamps p. 129 no. 857 fig. 159 (=my fig. 653). Height if <strong>in</strong>ches.<br />

Accord<strong>in</strong>g to H. B. Walters, '<strong>Zeus</strong> has three darts or arrows <strong>in</strong> r. hand.' But nos. 854<br />

856 make it clear that a thunderbolt is <strong>in</strong>tended.<br />

^ G. Supka <strong>in</strong> \\i& Jahrb. d. kais. deutsch. arch. Inst. 1915 xxx Arch. Anz. pp. 24,<br />

27 f. fig. 6 publishes a large bronze lamp from Mor, now <strong>in</strong> the National Museum at<br />

Buda-Pesth, which has a f<strong>in</strong>e bust of <strong>Zeus</strong> (eyes and lips orig<strong>in</strong>ally <strong>in</strong>crusted), without<br />

thunderbolt, spear, or sceptre, between the horns of the crescent and below it on the<br />

crescent a bust of Helios. Other lamp-handles show <strong>Zeus</strong> between the horns, upborne<br />

on an eagle grasp<strong>in</strong>g a thunderbolt (A. C. P. de Tubieres Comte de Caylus Recueil<br />

d'antiquit^s egyptiefi7ies, ^trtisques, grecques, romaities et gauloises Paris 1764 vi. 305<br />

pl- 97> 5> Babelon—Blanchet Cat. Bronzes de la Bibl. Nat. p. 1 1 no. 20 fig. Cp. supra<br />

p. 102 f. fig. 64).<br />

^ Pottier Cat. Vases dii Loitvre ii. 544 f. no. E 732, id. Vases antiques du Louvre<br />

2

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