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Zeus : a study in ancient religion - Warburg Institute

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75 8 Gradual elim<strong>in</strong>ation of the thunderbolt<br />

Olympian <strong>Zeus</strong>^ from the local co<strong>in</strong>age. He reta<strong>in</strong>ed the throne<br />

/ and the sceptre <strong>in</strong> the god's left hand, but replaced the w<strong>in</strong>ged<br />

thunderbolt by a w<strong>in</strong>ged Victory, and transferred the eagle to the<br />

sceptre-top, thereby suggest<strong>in</strong>g not so much the stormy strength of<br />

/ the thunder-god as the tranquil supremacy of the victor.<br />

A little later than the stateres illustrated above are others (fig.<br />

702)^ with an obverse design of <strong>Zeus</strong> seated on a rock, the sceptre<br />

Fig. 702.<br />

lean<strong>in</strong>g aga<strong>in</strong>st his right shoulder, the eagle about to fly from his<br />

right hand, and the thunderbolt omitted. P. Gardner conjectured<br />

that the rock was meant for Mount Olympos-'—Olympos (let us<br />

suppose) <strong>in</strong> the neighbourhood of Olympiad The comparative<br />

freedom of the seated figure, the arrangement of the Jiimdtion over<br />

the left upper arm, and the dropp<strong>in</strong>g of the thunderbolt were perhaps<br />

due to the <strong>in</strong>fluence of Pheidias' chryselephant<strong>in</strong>e colossus. If the<br />

simile published two mutilated columns of papyrus (pap. ^d}, and 264 of the Geneva<br />

collection), which conta<strong>in</strong> portions of a life of Pheidias attributed l)y him to Apollodoros.<br />

Accord<strong>in</strong>g to Nicole's <strong>in</strong>terpretation, Pheidias was accused at Athens of steal<strong>in</strong>g the ivory<br />

(as Philochoros loc. cit. says), not the gold (as Plout. v. Per. 31 says), of the Parthenos ;<br />

was released upon heavy bail, forty talents, paid by the Eleans, who wanted him to carry<br />

out their commission of the <strong>Zeus</strong> Olympios ; and, on be<strong>in</strong>g condemned about four years<br />

later, was compensated by the Eleans with their citizenship. Immediately after this there<br />

is a record of the dedication of the Olympian <strong>Zeus</strong>. Nicole's read<strong>in</strong>g of the papyrus is<br />

attacked by L. Pareti ' II processo di Fidia ed un papiro di G<strong>in</strong>evra ' <strong>in</strong> the Rom. Mitth.<br />

1909 xxiv. 271— 316. But Pareti's own views are refuted by H. Lechat <strong>in</strong> the Revue des<br />

etudes aticiet<strong>in</strong>es 191 1 xiii. 125 fif. And, though Nicole's <strong>in</strong>terpretations are not all<br />

reliable {e.g. F. Jacoby <strong>in</strong> the Berl. philol. Woch. Sept. 10, 1910 pp. 1148— 1156 shows<br />

that the papyrus has noth<strong>in</strong>g to do with Apollodoros), yet it is evident that the new<br />

biography supports Philochoros as aga<strong>in</strong>st Plutarch. See further E. A. Gardner <strong>in</strong> "Zhua.<br />

Athenes 1912 p. 49 ff., A.J. B. Wace <strong>in</strong> The Year's Work <strong>in</strong> Class. Stud. 1912 p. 37,<br />

A. Frickenhaus <strong>in</strong> ihtjahrb. d. kais. deutsch. arch. Inst. 1913 xxviii. 346—352.<br />

1 Infra Append. O.<br />

- Brit. AIus. Cat. Co<strong>in</strong>s Peloponnesus p. 59 pi. 10, 12, P. Gardner <strong>in</strong> the Num.<br />

Chron. New Series 1879 ^^'''<br />

'^S^<br />

pl- ii> ii 3 (London), id. Types of Gk. Co<strong>in</strong>s p. iii<br />

pi. 3, 41 (London : obv. only), Babelon Monn. gr. rom. ii. 3. 707 ff. no. 1048 pi. 229, 10<br />

(London), C. T. Seltman <strong>in</strong> Nomisma 1913 viii. 49 no. 100 pi. 3, j3p (Seltman : rev. only),<br />

no. loi pi. 3, BA /3r (London), no. 102 pi. 3, ySv (Berl<strong>in</strong>: rev. only). Head Hist, nutn.^<br />

p. 420. Fig. 702 is from a cast of the British Museum co<strong>in</strong>.<br />

^ P. Gardner Types of Gk. Co<strong>in</strong>s p. 11 1 ('no doubt mount Olympus').<br />

* Supra i. 100 n. 3.

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